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 Manisha Koirala gives her marriage a second chanceIn the new year, actress Manisha Koirala is set to make a fresh start to her not-so-smooth marriage with hubby Samrat Dahal.
The lady got married last year after a string of failed relationships, mostly with foreigners. But when she married the Nepalese businessman Samrat Dahal, she looked so happy that it appeared she had finally found her man. Didn’t turn out so, for in November she posted a message on her facebook page that indicated that not all was well in her marriage.
Things came to a head when she arrived in Mumbai and didn’t return to her hubby’s home in Nepal. Now, reports say Manisha has been counselled by her friends and well-wishers to return to Samrat. They told her that every marriage has its share of ups and downs and needs adjustments from both the husband and wife. As a result, Manisha is now ready to give her marriage a second chance and return to Samrat in Nepal.
Manisha's first exhibition
Bollywood Actress Manisha Koirala is now fancy of Paintings and she want to hold her first Painting Exhibition. She said “It started just to express myself. I liked the feeling when I am brushing on the canvas. Now I decided to get more professional in Painting and hold my first exhibition in Painting”.
She also mentioned that her painting teacher is living in Maharashtra. He show me that how I can express myself in Painting like Acting another way of expression.
She also added that “She does not know where this new passion will take me, but I always follow my heart. She is going soon hold her first painting exhibition.
Manisha plays sex worker
Manisha koirala definitely knows that her comeback to the silver screen in Bollywood can be well-done only if she does a challenging role! So, no wonder she took up the role of a sex worker in noted actress Deepti Naval's directorial venture Do Paise Ki Dhoop Char Aane Ki Baarish, after a short gap, followed by her marriage with Nepali businessman Samrat Dahal at the age of 40.
Said to be inspired by real life incidents, the film has Rajit Kapur and New York-based Sanaj Naval in lead roles, besides Manisha. It deals with the bonding between three unlikely and unusual persons: a struggling gay lyricist, an ageing prostitute and her physically challenged 12-year-old son.
Shot in Mumbai's rainy season by Bollywood's finest cinematographer Kiran Deohans, the film has music composed by Sandesh Shandilya for lyrics penned by Gulzar.
Manisha is currently making a comeback in Tamil as Dhanush’s arrogant mother-in-law in Maapillai. She recently made her debut in Malayalam with Shyamprasad's much-acclaimed Electra starring Nayantara.
Manisha trying her luck with inspiring characters
As we all know, yester years heroine Manisha Koirala took a short break after she got married to Nepali businessman Samrat Dahal at the age of 40. Well now she wants to start her second innings with some challenging roles to be successful in bollywood. So, to start with, she took up the role of a sex worker in noted actress Deepti Naval's directorial venture Do Paise Ki Dhoop Char Aane Ki Baarish,
The story is said to be inspired by real life incidents and facts. Apart from Manisha, the film has Rajit Kapur and New York-based Sanaj Naval in lead roles. It’s a story which deals with the bonding between three unlikely and unusual persons: a struggling gay lyricist, an ageing prostitute and her physically challenged 12-year-old son.
The movie is shot by one of the Bollywood's finest cinematographer Kiran Deohans in rainy season. Sandesh Shandilya is the music composer whereas Gulzar penned the lyrics.
As reported earlier, Manisha is trying her luck even in Kollywood with her stunning performance as Dhanush’s arrogant mother-in-law in the movie Maapillai. Apart from these she has also made her debut in Malayalam with Shyamprasad's much-awaited movie Electra starring Nayantara. Lets wish all the very best for Manisha to make her 2nd innings all successful.
Nepal fails to do justice to Manisha Koirala
Kathmandu, Dec 10 (IANS) Manisha Koirala, Bollywood's reigning diva in the 1990s, returns to her roots in Nepal after more than two decades Friday with the release of her much-awaited new Nepali film 'Dharmaa', but it has failed to do justice to her formidable acting skills.
Ironically, Kumari, one of Kathmandu's best cinemas where action flick 'Dharmaa' released along with over 60 other theatres nationwide, is also showing Hindi film 'Guzaarish', starring former Miss World Aishwarya Rai and directed by Sanjay Leela Bhansali.
Bhansali's maiden film was the poignant 'Khamoshi', in which Manisha played a daughter to deaf parents and won the Filmfare and Star awards for best actress for her performance.
'Dharmaa' has to be the worst career choice ever made by Manisha, who has acted in such acclaimed Hindi films as 'Bombay', 'Mann' and 'Company'. She plays third fiddle to Nepal's reigning superstar Rajesh Hamal and action hero Nikhil Upreti and her role as the wife of an honest forest officer who is killed by a corrupt police officer in cahoots with the poaching mafia, has no substance.
The plot is juvenile, the characters ridiculous and the sets tacky. The poaching don's den, for instance, can easily be identified as the corridor of Kathmandu's World Trade Centre, a shopping mall.
Manisha, who comes from one of the best-known political families of Nepal - her grandfather Bishweshwar Prasad Koirala was the first elected prime minister of Nepal, has actually been used as a stepping stone by former minister and politician, Durga Pokhrel, who is also the producer of the movie, to launch her own son Sanjog.
In the film, directed by Dipendra K. Khanal, Sanjog plays the pampered younger brother of the slain officer who is transformed into an avenging angel.
The debutant, however, held no attraction for the crowds and the cameras who milled around Manisha, proving she was the real star and crowd puller despite the shabby treatment meted out to her in the film.
'I am very excited,' Manisha told IANS gallantly. 'I hope it is well received.'
She also said it was wonderful to return to the Nepali film industry, which she had left after her first film 'Pheri Bhetaula', to act in Subhash Ghai's 'Saudagar' and become the fresh face of Bollywood in 1991.
Though she still wants to continue working in Bollywood, Manisha says she will now be spending longer periods of time in Kathmandu to be with her family.
She married Nepali entrepreneur Samrat Dahal in June and is still struggling to come to terms with Kathmandu's temperatures, substantially colder than sunny Mumbai's, where she had been based. In most of the scenes in 'Dharmaa' she is seen wearing socks, even to bed.
Manisha is trying to make her stay in Nepal more fruitful professionally by planning her own film.
'I want to write my own script and direct it,' she said. 'It is a human interest story with a political subtext.'
Though to be shot in Nepal, she intends her film to be for the international market.
After two decades in the film industry, Manisha is weary of the routine song-and-dance sequences and wants to focus on realistic cinema.
'I want to engage more in realistic cinema,' she says. 'Nepali cinema should not keep copying Bollywood. Only when it is realistic can it uplift society.'
Yet her new Nepali film contains one totally superfluous sequence where she sings and dances with her onscreen husband Rajesh Hamal.
'Oh that!' she laughs. 'I did it because I was so glad to return to Nepal.'
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