Tag: jude law
It’s been over a decade since she was first engaged to Jude Law, but the torrid years that followed have not waned Sienna Miller’s feelings for her former beau.
As the Hollywood story goes, the Golden Globe nominee and her Alfie co-star were on the road to marriage in 2004, but a year after their Christmas engagement, Law publicly apologized to the actress after reports surfaced that he had been having an affair with his nanny. The couple subsequently split in 2006. The two tried to rekindle their romance in 2009, only to break up again by 2011.
Today, Miller says she doesn’t see her past beau “that much,” but told PORTER magazine, “I care about him enormously.”
Nearly a year ago, the star broke off her engagement to actor Tom Sturridge, whom she had been dating since 2011 and with whom she shares her only child, 3-year-old daughter Marlowe Sturridge. While the 34-year-old calls her past boyfriends, including Law and Sturridge, “a motley crew,” she does recognize the trait that ties them all together.
“I like intelligence,” she continued to the magazine. “It’s the only thing I’ve ever been attracted to. People who aren’t clever enough fall by the wayside. They’re a motley crew my ex-boyfriends, if you lined them up, it would be strange. I don’t care about that [looks], but you know, within limits… Someone staggeringly beautiful and thick is totally ugly to me. It sounds silly but I like bookish academics who are slightly odd, and borderline, you know, on the spectrum.”
In the meantime, the acclaimed star has a packed schedule of new films, one of which is taking her to New York City for the fall to live and raise her daughter. In regard to the possibility of having more children, Miller is definitely interested.
“I would love more,” she admitted to the magazine. “I’m suddenly feeling very broody for more babies, and my daughter’s desperate to have a sibling.”
In fact, Miller is more in tune with herself and her decisions after an intense recent round of therapy. According to the star, all the noise that was once in her head is now gone.
“I just got to a point where…I couldn’t dig myself out, I couldn’t make decisions, I felt pretty assaulted by life and not in control,” she revealed. “I think as you get older you have to really cultivate your mind and have a deep understanding of self, otherwise you just become lonely and isolated and unsatisfied and unfulfilled, and however your perfect little life looks on paper, there will be a sense of unfulfillment if you haven’t explored the nature, the very depths of who you are.”
Perhaps it’s that kind of courage that has caused co-star Bradley Cooper to describe her as a little Napoleon. “I stand up for myself,” she said. “That’s what he’s referring to.”
Birth Name: David Jude Law
Birth Date: December 29, 1972
Birth Place: Lewisham, London, England, UK
Jude Law is an award-winning, internationally acclaimed actor with a wealth of widely varied film and theatre roles to his credit.
Earlier in 2011, Law joined an all-star ensemble cast in Steven Soderbergh’s hit thriller “Contagion.” He is currently starring in the Martin Scorsese-directed fantasy “Hugo,” based on the book The Invention of Hugo Cabret. Law’s upcoming films include Fernando Meirelles’s “360,” with Rachel Weisz and Anthony Hopkins, and “Anna Karenina,” directed by Joe Wright from a screenplay by Tom Stoppard, based on the classic Tolstoy novel. He is also lending his voice to the animated feature “Rise of the Guardians.”
On the stage, Law recently earned Tony Award and Drama Desk Award nominations and won a Critics’ Circle Theatre Award for his performance in the 2009 Broadway revival of Shakespeare’s “Hamlet,” having first played the role in the Donmar Warehouse production in London’s West End. He just completed a starring role in the West End revival of Eugene O’Neill’s “Anna Christie.”
Law first drew major critical attention for his performance as Oscar Wilde’s lover, Lord Alfred Douglas, in the 1997 feature “Wilde,” for which he won an Evening Standard British Film Award. He went on to gain international acclaim for his work in Anthony Minghella’s 1999 hit “The Talented Mr. Ripley.” Law’s portrayal of the doomed golden boy Dickie Greenleaf brought him both Oscar® and Golden Globe nominations, as well as a BAFTA Award for Best Supporting Actor.
He later garnered Oscar®, Golden Globe and BAFTA Award nominations, for Best Actor in a Leading Role, for his performance in Minghella’s 2003 Civil War epic “Cold Mountain.” Among his other acting honors, Law received a Golden Globe nomination for his role in Steven Spielberg’s “A.I. Artificial Intelligence,” won a National Board of Review Award as a member of the ensemble cast of Mike Nichols’ drama “Closer,” and shared in a Screen Actors Guild Award® nomination for Best Motion Picture Cast Performance for his role in Martin Scorsese’s “The Aviator.”
Law has also starred in and produced Kenneth Branagh’s “Sleuth,” opposite Michael Caine, and “Sky Captain and the World of Tomorrow.” His wide range of film credits also includes Terry Gilliam’s “The Imaginarium of Dr. Parnassus”; Nancy Meyers’ romantic comedy hit “The Holiday,” with Cameron Diaz, Kate Winslet and Jack Black; Anthony Minghella’s “Breaking and Entering,”; the title role in Charles Shyer’s “Alfie”; Sam Mendes’ “Road to Perdition,” with Tom Hanks and Paul Newman; Jean-Jacques Annaud’s “Enemy at the Gates”; David Cronenberg’s “eXistenZ”; Clint Eastwood’s “Midnight in the Garden of Good and Evil”; and “Gattaca,” which marked his American film debut.
Law began his career on the stage, acting with the National Youth Theatre at the age of 12. In 1994, he created the role of Michael in Jean Cocteau’s play “Les Parents Terribles,” for which he was nominated for the Ian Charleson Award for Outstanding Newcomer. The play was renamed “Indiscretions” when it moved to Broadway, where Law received a Tony Award nomination for Outstanding Supporting Actor. His subsequent stage work includes “`Tis Pity She’s a Whore,” at London’s Young Vic Theatre, and a highly acclaimed performance in the title role of Christopher Marlowe’s “Dr. Faustus,” both directed by David Lan.
In 2007, the French Academy awarded Law a César d’Honneur in recognition of his contribution to cinema, and the government of France named him a Chevalier de l’Ordre des Arts et des Lettres for his artistic achievements.
Those two tantalizing words at the close of 2009’s “Sherlock Holmes” promised audiences that more adventures lie ahead. Now “Sherlock Holmes: A Game of Shadows” fulfills that promise, bringing the legendary detective back to the big screen in a new action-packed mystery that reunites the stars and filmmakers behind that worldwide hit.
Director Guy Ritchie says, “I was very keen to return to Sherlock Holmes’ world because the experience of making the first movie was so positive, both personally and creatively. There were a myriad of story possibilities in revisiting this character because he has so many interesting facets. His idiosyncrasies almost transcend description, so I wanted the opportunity to explore that more, while giving audiences something they hadn’t seen.”
Ritchie’s “Sherlock Holmes” had redefined Sir Arthur Conan Doyle’s iconic character for a new generation, with Robert Downey Jr. creating his own unique incarnation of the role, alongside Jude Law as Holmes’ friend, partner, and occasional foil, Dr. John Watson.
Producer Joel Silver states, “There was a kind of magic that came out of the dynamic between Robert and Jude as Holmes and Watson, and this film gave us a chance to take that up a notch. In the first movie, we had to give audiences the time to get to know the foibles of the characters. Coming into this movie, we had already laid the foundation, so we could launch right into the action, which is bigger, funnier and more explosive in every sense of the word.”
“First and foremost,” Robert Downey Jr. adds, “we wanted to maintain the visceral tone that was part of Guy’s original vision, while presenting Holmes with an even more difficult case, one that would challenge his considerable skills.”
That challenge arises out of the threat from a redoubtable adversary, one whose name is familiar to anyone with even a passing knowledge of the Sherlock Holmes canon: Professor James Moriarty.
“We needed a mystery that raises the bar for Holmes, so we pitted him against his most famous foe,” notes producer Susan Downey. “At the end of the last film, Sherlock fleetingly learned of Moriarty from Irene Adler. In the time elapsed, he has become increasingly obsessed with what Moriarty is up to and has only begun to realize the breadth of his plan.”
Producer Lionel Wigram comments, “Moriarty is the greatest criminal mastermind in the world. He is a genius—albeit a mad genius—but because he is so brilliant, Holmes may have met his match.”
Ritchie emphasizes, “Because they are intellectual equals to a degree, there is the sense that this is a game that is stimulating to them both. In this way, they actually need each other, and that idea is authentic to the books. Holmes needs Moriarty as much as Moriarty needs Holmes.”
To write the screenplay, the producers enlisted husband-and-wife writing team Kieran and Michele Mulroney, with the latter being exceptionally well-versed in the source material. She offers, “Growing up in England, I remember reading the books and being awed by the weird and wonderful way Holmes’ mind worked. It was a joy to revisit the original stories and still marvel at the inventiveness and intricacies of Arthur Conan Doyle’s mysteries.”
In fact, true Sherlock Holmes enthusiasts will notice that the filmmakers paid homage to the author by incorporating some of Conan Doyle’s language in the dialogue.
The screenwriters also felt a responsibility to do justice to the story’s villain, as well as its heroes. “We knew that whatever dire scheme Moriarty had up his sleeve, it had to feel insurmountable,” Kieran Mulroney confirms. “The stakes needed to be proportionate to the professor’s appetite for evil, which is obviously huge. Our goal was to push Holmes and Watson to their limits in pursuit of this man…to test their relationship even more than in the last film.”
“I was thrilled that the connection between Holmes and Watson, as we had developed it, was still very much the heart and soul of the story,” says Jude Law, who returns in the role of Watson.
Producer Dan Lin, who had worked with the Mulroneys before, observes, “Kieran and Michele’s script explores the evolution of Holmes and Watson’s relationship after the first movie—with Sherlock ready for the next case, and Watson engaged to Mary and planning to settle down and step away from the life of a private detective. What does this mean for their future? And how will the world survive without them, especially with Sherlock’s most formidable nemesis, Professor Moriarty, on the loose?”
Unlock the secret.
Set in 1930s Paris, an orphan who lives in the walls of a train station is wrapped up in a mystery involving his late father and a robot. Hugo Cabret is an orphan boy living a secret life in the walls of a Paris train station. When Hugo encounters a broken automaton, an eccentric girl, and the cold, reserved man who runs the toy shop, he is caught up in a magical, mysterious adventure that could put all of his secrets in jeopardy.
Although the film is based on a children’s book and features pre- teen lead characters, this over two-hour period film will probably have most of its appeal to older adults, especially film history fans. The adult stars such as Ben Kingsley and Sacha Baron Cohen have smaller supporting roles to the young leads. There is no objectionable content except for a couple of action sequences that may be intense for very young kids.
Hugo is a 2011 British-American-French 3D historical adventure drama film directed and co-produced by Martin Scorsese and adapted for the screen by John Logan. Based on Brian Selznick’s novel The Invention of Hugo Cabret, it is about a boy who lives alone in the Gare Montparnasse railway station in Paris in the 1930s. A co-production between Graham King’s GK Films and Johnny Depp’s Infinitum Nihil, the film stars Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, Ray Winstone, Emily Mortimer, Jude Law, Helen McCrory, and Christopher Lee.
Hugo is Scorsese’s first film shot in 3D, of which the filmmaker remarked: “I found 3D to be really interesting, because the actors were more upfront emotionally. Their slightest move, their slightest intention is picked up much more precisely.” The film was released in the United States on November 23, 2011.
Hugo grossed $185 million at the box office against a budget of $150 – $170 million. Hugo received eleven Academy Award nominations (including Best Picture), more than any other film that year, and won five awards: Best Cinematography, Best Art Direction, Best Sound Mixing, Best Sound Editing and Best Visual Effects. It was also nominated for eight BAFTAs, winning two, and was nominated for three Golden Globe Awards, earning Scorsese his third Golden Globe for Best Director.
Related Link: Read the Full Production Notes for Hugo Movie
Joe Wright will direct the epic romance Anna Karenina, adapted from Leo Tolstoy’s classic novel by Academy Award winner Tom Stoppard (Shakespeare in Love). The Working Title Films production will commence filming in the U.K. and Russia this month. Focus Features will distribute the movie domestically, and Universal Pictures International (UPI) will distribute the movie internationally, in the second half of 2012.
Anna Karenina marks Mr. Wright’s third Working Title movie with Focus and UPI, following the award-winning boxoffice successes Pride & Prejudice and Atonement. Also for Working Title and UPI, he directed The Soloist; also for Focus, he most recently directed the hit adventure thriller Hanna.
Working Title co-chairs Tim Bevan and Eric Fellner are producing Anna Karenina with Paul Webster; the three were Academy Award nominees as the producers of Mr. Wright’s Best Picture-nominated Atonement. Also with Focus, Mr. Webster was a Golden Globe Award nominee as producer of Eastern Promises.
Keira Knightley, Academy Award-nominated for Pride & Prejudice, will star as Anna Karenina in her third collaboration with Mr. Wright. Ms. Knightley will be starring opposite two-time Academy Award nominee Jude Law, as Anna’s husband Aleksei Karenin; and Aaron Johnson (Nowhere Boy), as Count Vronsky. Rounding out the cast will be Kelly Macdonald (Boardwalk Empire), Matthew Macfadyen (Pride & Prejudice), Domhnall Gleeson (Harry Potter and the Deathly Hallows – Part 1), Alicia Vikander (The Seventh Son), two-time Academy Award nominee Emily Watson, Olivia Williams (Hanna), and Ruth Wilson (Luther).
Also reteaming with Mr.Wright on Anna Karenina are Academy Award-winning composer Dario Marianelli, twice-Academy Award-nominated costume designer Jacqueline Durran, and three-time Academy Award-nominated production designer Sarah Greenwood. The cinematographer will be Academy Award winner Philippe Rousselot. Melanie Ann Oliver (Focus’ Jane Eyre) will edit the feature. Sidi Larbi Cherkaoui will be the choreographer on the movie.
The story unfolds in its original late-19th-century Russia high-society setting and powerfully explores the capacity for love that surges through the human heart, from the passion between adulterers to the bond between a mother and her children. As Anna (Ms. Knightley) questions her happiness, change comes to her family, friends, and community.
Focus Features CEO James Schamus said, “Joe Wright is a master filmmaker, and with Tom Stoppard’s brilliant screenplay this Anna Karenina will be full of both pageantry and emotion. To realize Joe’s vision, we have the perfect producing partners in Working Title and Paul Webster, whose acumen is unsurpassed. With Keira Knightley playing this iconic role and a splendid cast supporting her, today’s moviegoers will be drawn to this powerful story.”
Mr. Bevan commented, “Everyone at Working Title is proud to affirm a longtime collaboration with Joe Wright through this, our fourth picture together. That we are able to re-convene cast and crew from Pride & Prejudice and Atonement makes it all the more exciting. We anticipate that this will be a defining screen version of Anna Karenina.”
Anna Karenina comes to theaters in 2012 and stars Keira Knightley, Jude Law, Saoirse Ronan, Kelly Macdonald, Matthew Macfadyen, Aaron Johnson, Olivia Williams, Andrea Riseborough. The film is directed by Joe Wright.
The thriller starring Matt Damon knocks “The Help” out of first place for the first time in three weeks.
“Contagion” infected enough moviegoers to catch the top spot at the box office. The Warner Bros. pandemic thriller directed by Steven Soderbergh and starring an A-list cast that includes Matt Damon, Kate Winslet, Jude Law and Gwyneth Paltrow coughed up $23.1 million in its first weekend, according to studio estimates Sunday.
The film’s contagious opening marked the beginning of the fall movie season by exceeding the studio’s estimates. “I think Steven Soderbergh made a compelling movie that tapped into that fear that many of us have about illnesses, viruses and pandemics,” said Jeff Goldstein, Warner Bros. general sales manager. “It’s like a train or car accident. You can’t look away. You prefer not to think about it, but when it’s presented to you, you want to learn more.”
Despite the breakout success of “Contagion,” it was the lowest grossing weekend of the year so far for the film industry, according to Paul Dergarabedian, box-office analyst for Hollywood.com. Dergarabedian said that’s typical for the weekend after Labor Day and expected business to pick up in the coming weeks as the Academy Awards race begins.
“There are some great titles that are on the way,” said Dergarabedian. “I see several promising films — Oscar contenders like “50/5/” ‘The Descendants’ and ‘Ides of March,’ and even potential big moneymakers like “Real Steel”
“The Help” the acclaimed DreamWorks Pictures drama distributed by Disney about black Southern maids speaking out during the civil-rights movement, slipped to No. 2 with $8.7 million after three straight weeks at the top, bringing its domestic total to $137 million.
“Warrior,” the Lionsgate mixed-martial arts drama starring Tom Hardy and Joel Edgerton, punched up a $5.6 million debut in the No. 3 position. David Spitz, head of distribution for Lionsgate, said he expects <“Warrior” to mirror the simmering success of “The Help.”
“The film has gotten unbelievable reviews,” said Spitz. “The audience reaction we’re getting on the movie is consistent. People like the film. It’s a slow burn. We think we’re going to be in theaters for a long time.”
The on-again, off-again couple has called it quits, according to his representative.
It’s over… again. Jude Law and Sienna Miller have ended their relationship, the actor’s rep confirms. This isn’t the first time the couple has experienced heartbreak. After two years of dating, they split in 2006 when Law, admitted he had cheated on Miller with children’s nanny.
“That was a very pivotal time in my life, and I’m happy saying that,” Miller, now 29, told Vogue in July 2009. “It’s a private moment when you get your heart broken for the first time, and that was the absolute antithesis of private. It couldn’t have been more public!”
Law and Miller reconciled in late 2009; they even hit the red carpet together at the Metropolitan Museum Costume Institute Gala in NYC the following spring. “They were holding hands and looked very happy in love,” a witness told Us at the time. “Sienna was smiling ear-to-ear as she and Jude walked up the steps into the Met.”