Tag: dakota johnson

Is Fifty Shades Freed is a total disaster?

Is Fifty Shades Freed is a total disaster?

It is often said that the brain is the most important erogenous zone. It’s often said, too, that there’s nothing sexier than a sense of humour. I’m not sure whether either of these assertions has been scientifically proven but, if they have, it could explain why Fifty Shades Freed is about as arousing as staring at a mildewed patch of wallpaper.

This is the third film to be adapted from EL James’ trilogy of zillion-selling “mommy porn” S&M bonkbusters, and its protagonists are two attractive young lovers who can’t keep their hands off each other, so it should be a turn-on, if nothing else. And yet Fifty Shades Freed is so unarousing that it could be used as therapy in a sex addiction clinic. The complete lack of intelligence and fun has got to be a factor.

The film opens with Ana Steele (Dakota Johnson) getting married to Christian Grey (Jamie Dornan), Seattle’s most eligible bachelor. Their high-society wedding is dispensed with in a montage. Then their luxury honeymoon in France is dispensed with in a montage. And then, well, everything else drifts by with so little structure or intrigue that it might as well be a montage, too. Ana and her friends buy dresses; Christian buys a house. Ana drives a car; Christian drives a jet ski.

On and on this product placement-heavy conspicuous consumption goes, but there’s hardly any personality to it, and even less plot. Would it be cruel at this stage to mention that the screenwriter, Niall Leonard, also happens to be James’ own husband? Maybe. But, to be fair, his scripting is no more perfunctory than James Foley’s directing. Between them, they seem to have been aiming for the will-sapping vapidity of a Kardashian reality TV show overseen by Tommy “The Room” Wiseau.

Is Fifty Shades Freed is a total disaster?

Still, Fifty Shades Freed isn’t wholly without incident. Every now and then, Ana goes to her office in a publishing firm, thus establishing that she is the only senior fiction editor in America who doesn’t have a single manuscript or proof copy at home. And every now and then she and Christian bicker about having children – the kind of work-life disagreement which would barely fill the Charlotte storyline in an episode of Sex and the City.

And sometimes – oh so rarely – the film-makers remember that Ana is being stalked by her cartoonishly psychotic former boss, Jack Hyde (Eric Johnson), at which point the stupidity ramps up, but not the excitement. Hyde’s hazily motivated attacks on Ana are quashed with laughable ease: Christian’s collection of riding crops would be more likely to do her an injury. But it’s still impossible to understand why Jack is treated so nonchalantly by the authorities. Halfway through the film, he tries to abduct Ana from the Greys’ swanky flat.

After her bodyguards have dealt with him – which they do, without breaking a sweat – a police detective reassures her: “Don’t worry about Hyde, we’ve got enough to hold him.” And, somehow, he says it with a straight face. Enough to hold him?! The guy’s just broken into the home of Christian Grey – the wealthiest, most influential man in the city! And he’s held a foot-long knife to Christian Grey’s new bride! Of course you’ve got enough to hold him! You’ve probably got enough to send him straight to the electric chair! But apparently not. A few minutes later, Hyde is granted bail and walks free – and nobody tells Christian. That’s how head-slappingly idiotic Fifty Shades Freed is.

You could argue that none of this vacuousness matters, and that the film exists for its sex scenes. But these tend to be brief, discreet, waist-up interludes. Christian, it seems, is growing out of the whips and chains which obsessed him when the series began. He may be obnoxiously controlling in regards to every other aspect of Ana’s life, but he can’t be bothered with bondage. At their most daring, the newlyweds have sex in a car (a parked car, mind you – safety first), and they have sex on a kitchen table in their Aspen holiday home, during which Christian frets that they might wake up their fellow guests.

And while these tame couplings could, in theory, have been titillating, the film’s pervasive joylessness acts as a cold shower. The ever-frowning Dornan has to take the blame. As usual, Johnson brings some much-needed flirtiness and recognisable human emotion to Ana, but Dornan always sounds as if he’s got a blocked nose, and always looks as if he would rather be at tomorrow’s board meeting. In one scene, Christian is so grumpy with Ana that he gives her a “not-tonight-I’ve-got-a-headache” brush-off, and that’s the only moment when Dornan’s performance has any conviction.

As feeble as it is in almost every respect, Fifty Shades Freed might perhaps have been watchable if Christian had been played by Bridget Jones-era Hugh Grant or by Wall Street-era Michael Douglas – or, for that matter, by any actor with confidence and swagger and a devilish twinkle. Instead, we’re stuck with a leading man who seems to be having a miserable time. Everyone in the audience will have a miserable time, too.

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The first official trailer for Fifty Shades Darker

The first official trailer for Fifty Shades Darker

The first official trailer for Fifty Shades Darker has been viewed online 114 million times in the past 24 hours, according to Universal.

The spot debuted on Sep. 14 at 8 a.m. PT, and racked up its multimillion view count across all digital platforms — YouTube, Facebook, Instagram etc. Within the first hour of the trailer’s debut, the trailer received more than 2.5 million views on Fifty Shades domestic Facebook page alone.

Darker was viewed 39.4 million times in North America but the majority of online views came from over 32 international markets like the U.K., Mexico and France, where the spot received 74.6 million official views.

Previously the highest performing full-length trailer was the preview for Star Wars: The Force Awakens, which racked up 112 million views online in 24 hours.

The Force Awakens broke the record set by its own teaser trailer, the second to debut for the movie, which screened in April 2015 at Star Wars Celebration and amassed 88 million views in the first 24 hours.

Darker will see the return of Jamie Dornan and Dakota Johnson as Christian Grey and Anastasia Steele in the adaptation of the second installment in E.L. James’ best-selling book series. The first film in the series, Fifty Shades of Grey, grossed over $571 million at the global box office.

The first official trailer for Fifty Shades Darker

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Dakota Johnson is unsure of her future in film

Dakota Johnson is unsure of her future in film

Dakota Johnson hopes the success of Fifty Shades of Grey will lead to a long-lasting and meaningful career in film.

The 26-year-old “Fity Shades of Grey” star discussed her future in the movie industry in the May issue of Interview magazine, admitting she’s still finding her way despite the popularity of Fifty Shades.

“I still feel like I don’t know what I’m doing,” Johnson confessed. “Like, I’m unsure of what my life will be like. I mean, I have such an obsession with making movies that I probably will always do that.”

“But sometimes my life can feel so suffocating, and then it can feel so massive, like I don’t have a handle on it all, and I don’t know where it’s going or what I’m going to do,” she qualified. “Right now, I’m known for making movies. And I wonder if that’s it.”

Johnson played Anastasia Steele in Fifty Shades of Grey and will reprise the role in Fifty Shades Freed and Fifty Shades Darker. The film earned a whopping $571 million at the box office, but Johnson isn’t convinced her success will last.

“It seems like the world is so fast to move its interest to someone else,” the actress said. “When I think about filmmakers and actresses that I have admired my whole life, I’ve admired their entire body of work. I have admired what they began with and what they’re doing now.”

“And now I feel like there’s such a weird pressure to find the new face,” she explained. “I don’t get it at all. I want to see women evolve. I want to see a body of work. I want to see all of it.”

Johnson and Jamie Dornan, who plays Christian Grey, are now filming Fifty Shades Darker, which opens in theaters Feb. 10, 2017. The actress previously told British Vogue she is grateful for Fifty Shades and unconcerned with being pigeon-holed.

“I’m proud of Fifty Shades of Grey,” she said. “I don’t need to distance myself from that. The more work I do, the more the general public sees the different things I can do. Do I think it opened doors? Yeah, More people know my name.”

Johnson last starred in How to Be Single with Rebel Wilson and will next appear in A Bigger Splash with Ralph Fiennes and Tilda Swinton. She will also star with Swinton in the forthcoming thriller Suspiria.

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