channing tatum - stop loss production notes
Chapter 2: Casting Process
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The Vow   2012
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Stop-Loss   2008
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Casting was a key component for Peirce and the filmmakers in telling the story. For the key role of the heroic, conflicted Sgt. Brandon King, Peirce was looking for someone who could express the strength and masculinity to lead men into and through battle and also possess the warmth and humor that is necessary to be at the center of these men’s lives. “It required someone who could depict the patriotism and innocence required to go to war on behalf of his country, but who was also introspective enough to question what he had done when he needed to question it. Because it’s essentially a point-of-view movie (one guy’s journey) and he’s in every scene, he had to be able to carry us through the entire story.”

Peirce was excited when actor Ryan Phillippe agreed to take on the role. “Ryan brought something unexpected to the part,” she affirms. “Not only could he act it, but he seemed like Brandon. He seemed like someone who would have signed up for this war, who would have been the leader, who would have killed in order to protect his men and been devastated when he lost them, who would have questioned, who would have gone on the run and who would have ultimately gone back to war for his family, his friends and his country.”

Phillippe says that, as always, his main priorities in deciding whether to take on a film role are the talent of the filmmaker and the quality of the material. For him, “Stop-Loss” was the perfect melding of script and director. “I truly believe Kim Peirce to be an artist,” he attests. “If you look at her first film, she’s clearly talented. As for the script, I love reality-based material. This is not a true story, but many men have lived it and when a project is grounded by that kind of dramatic weight and truth, you feel convinced that you’re telling a story that needs to be told.”

To play an Iraq War-era soldier, Phillippe plunged into deep research. One of his primary sources was Peirce’s brother Brett and the specifics about his real-life experience that he shared with his sister, as well as the videotapes he brought back from the Middle East. “I watched hours and hours of video camera footage that the soldiers shot of each other to get a sense of their camaraderie,” he says. “I also viewed many of the excellent documentaries that have been made about the Iraq conflict. Also, I got really into the military aspects, which I tend to do when I get involved in this kind of movie. You really want to make sure you know how to behave and appear like a soldier. I think you’re doing these men a service if you do your best to appear legitimate. It was very important for me, and for all the other actors, to look like the real deal. We were fortunate to have Jim Dever as our technical advisor. He’s the best in the business and I’d already worked with him on ‘Flags of Our Fathers.’” made about the Iraq conflict. Also, I got really into the military aspects, which I tend to do when I get involved in this kind of movie. You really want to make sure you know how to behave and appear like a soldier. I think you’re doing these men a service if you do your best to appear legitimate. It was very important for me, and for all the other actors, to look like the real deal. We were fortunate to have Jim Dever as our technical advisor. He’s the best in the business and I’d already worked with him on ‘Flags of Our Fathers.’”

In speaking of his experience of working with Peirce, Phillippe says “I’ve had the opportunity to work with Altman, Eastwood and Ridley Scott, and I put her right up there with them. I think she’s maybe tougher than any of them and she’s a real artist. She’s got this drive and is determined to get what she wants, and that’s what a director has to do -be decisive, authoritative and unrelenting.”
The character of Michele was inspired by real military wives Peirce interviewed, women she found “fascinating – for the challenges they face, the fears and hopes they feel while their men are at war and struggles they face upon their men’s return,” she says.

“Many spoke of feeling committed no matter what, but felt old before their time; many said they felt they lived two lives, one when he was home and one when he was away. Many spoke of how the other wives banded together to deal with the loneliness and the strangeness of their soldier’s return: men meeting their newborns for the first time after being away for a year; the sudden bouts of anger and violence; how they couldn’t go out to a bar without having a fight/brawl erupt; how going to Dunkin’ Donuts was a challenge when they were overwhelmed by the number of donut flavors, being forced to make a choice about what they ate for the first time in months.”

“I was immediately struck by Abbie’s deep understanding of and affinity for the character of Michele,” says Peirce of actress Abbie Cornish, who plays Michele. “Michele is the emotional touchstone of the film, and the difficult choices she faces ultimately change her and those she loves. We felt very fortunate that Abbie joined our ensemble, and she did an incredible job.”


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