In this article, the producer of the American HBO channel, George Raymond Richard Martin’s Song of Ice and Fire based on the novel series created by David Benioff and Daniel Brett Weiss, the medieval idea presented in the popular television series Game of Thrones. Even though medievalism, which is revitalized today, is not tarafından seen by professional historians as a noteworthy phenomenon subject to serious scientific research”, it is far from being a temporary fashion: its roots go back to 19th century romanticism and inspire new generations. there is an ongoing complex phenomenon.
Regarding the works in question, it is possible to say that we are faced with a method problem at first glance: The Song of Ice and Fire series and Game of Thrones series are not real ”medieval products; it is clear that they pass in an imaginary environment. In recent years, many historians have refused to work on the genre of fantasy because it does not portray concrete and “real” spaces or events.
Realism of Fantasy
However, although it is true that fantasy stories do not take place in the real world, in some cases – Martin’s novels are the perfect example of this – the authors argue that they have been inspired by the books they read about the “real” medieval. As we shall see, this claim of historical appropriateness has a profound effect on the perception of the audience: they think that fantasy works are somehow inspired by real medieval environments.
Author George R.R. Interviews with Martin over the last few years can help us understand his thinking, especially his perception and representation of the Middle Ages. For example, in an interview published in Rolling Stone, he says that he was inspired by the Battle of the Roses and the novels on the subject, but adds: sorun The problem with historical fiction is that you know what’s going to end. Then, the huge wall of ice built to the north of the eros Wester (Westeros) continent to protect it from the attack of the barbarian an Aliens, likened Hadrian to the Roman Wall. It also says: orum I use history to add flavor to imaginary fiction ”I’m writing an imaginary epic that combines miracle and the unpleasant realism seen in the best historical novels.”
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