2006 Movie Titles
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Tim Burton's The Nightmare Before Christmas in Disney Digital 3D
Tim Burton's The Nightmare Before Christmas in Disney Digital 3D
The Nightmare Before Christmas in Digital 3D
Starring: Chris Sarandon, Danny Elfman, Catherine O'Hara, William Hickey, Glenn Shadix, Susan McBride, Debi Durst, Greg Proops, Kerry Katz, Sherwood Ball, Carmen Twillie, Catherine O'Hara
Directed by: Henry Selick
Screenplay by: Caroline Thompson
Release Date: October 20th, 2006
MPAA Rating: PG for some scary images.
Studio: Walt Disney Pictures
 Box-Office Totals
Domestic: $74,434,759 (100.0%)
Foreign: ---
Total: $74,434,759 (Worldwide)
Beauty Buzz, Health & Fitness
Tagline: 3D So Real, It's Scary.
Enter an extraordinary world filled with magic and wonder -- where every holiday has its own special land ... and imaginative, one-of-a-kind characters! "The Nightmare Before Christmas" tells the heartfelt tale of Jack Skellington, the Pumpkin King of Halloween Town, and all things that go bump in the night.
Bored with the same old tricks and treats, he yearns for something more, and soon stumbles upon the glorious magic of Christmas Town! Jack decides to bring this joyful holiday back to Halloween Town. But as his dream to fill Santa's shoes unravels, it's up to Sally, the rag doll who loves him, to stitch things back together.
This Halloween, everyone's favorite nightmare will return -- in another dimension. On the occasion of its 13th anniversary, Tim Burton's hippest of holiday classics, The Nightmare Before Christmas, will make a ghoulishly groundbreaking comeback to the big screen, seamlessly transformed into stunning Disney Digital 3D.
This dazzling new makeover offers a frightfully fun, eyepopping trip into a universe of magic and wonder that remains unlike any other. The film's transformation was led by the original filmmaking team of Academy Award-nominated writer/producer Tim Burton ("Charlie and the Chocolate Factory," "Corpse Bride") and director Henry Selick ("James and the Giant Peach") -- and was turned into reality through an intense, frame-by-frame digitizing process spearheaded by the technical wizards at Industrial Light & Magic and driven by a passion for the film's visual splendor and timeless (not to mention occasionally headless) characters.

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