made in atlantis - filmmakers biographies
Directors, producers, editors, composers, executive producers, writer/co-producers, directors of photography, production designers, costume designers, screenwriters, cnematographers, animal trainers, visual effects supervisors, special effects supervisors and more.
Scott Rudin
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SCOTT RUDIN (Producer) - “Life Aquatic with Steve Zissou,” “Closer,” “Team America: World Police,” “I © Huckabees,” “The Village,” “The Manchurian Candidate,” “The Stepford Wives,” “School of Rock,” “The Hours,” “Changing Lanes,” “Orange County,” “Iris,” “The Royal Tenenbaums”, “Zoolander,” “Shaft,” “Sleepy Hollow,” “Angela's Ashes,” “Rules of Engagement,” “Wonder Boys,” “Bringing Out the Dead,” “South Park: Bigger, Longer & Uncut,” “The Truman Show,” “A Civil Action,” “In and Out,” “Ransom,” “Mother,” “Marvin's Room,” “The First Wives Club,” “Twilight,” “Clueless,” “Sabrina,” “Nobody's Fool,” “The Firm,” “Searching for Bobby Fischer,” “Sister Act,” “Sister Act 2: Back in the Habit,” “The Addams Family,” “Addams Family Values,” “Little Man Tate,” “Regarding Henry,” “Pacific Heights,” “Flatliners,” “Jennifer Eight,” “Mrs. Soffel” and “He Makes Me Feel Like Dancing” (Academy Award - Best Documentary).  Theater: “Passion “(Tony Award - Best Musical), “Indiscretions,” “Hamlet,” “Seven Guitars,” “Skylight,” “A Funny Thing Happened on the Way to the Forum,” “On the Town,” “The Chairs,” “The Judas Kiss,” “Stupid Kids,” “The Blue Room,” “The Most Fabulous Story Ever Told,” “Closer” (London and New York), “Amy's View,” “The Wild Party,” “The Ride Down Mt. Morgan,” “Copenhagen” (Tony Award - Best Play), “The Designated Mourner,” “The Caretaker” (London), “The Goat” (Tony Award - Best Play), “Medea,” “Beckett/Albee,” “Caroline, or Change,” “The Normal Heart,” “Who's Afraid of Virginia Woolf?,” “Doubt,” “Shining City” and “Manuscript.”

Upcoming Films:  Kenneth Lonergan's “Margaret,” Richard Eyre's “Note on a Scandal,” Wes Anderson's “Fantastic Mr. Fox,” Stephen Frears's “The Queen,” Roger Michell's “Venus,” Ethan and Joel Coen's “No Country for Old Men,” Kim Peirce's “Stop-Loss,” and Paul Thomas Anderson's “There Will Be Blood.”

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