Pina: Dance, dance, otherwise we are lost

Pina (2011)

Wim Wenders is not only a very successful filmmaker, but also a true servant of film art. On the one hand, he developed different kinds of narratives in different genre films and produced good films about the strong language of cinema, on the other hand he provided support based on other artists.

While shooting documentaries for the Buena Vista Social Club in Buena Vista, she was an unofficial assistant to Michelangelo Antonioni beyond the Clouds; Kah Zülfü Livanelik’nin Iron Iron is possible to see while producing copper. In this respect, it is no surprise that Wenders has taken Pina with a brand new technique he has never used before.

Wim Wenders’s trademark is road films with intense existentialism inside where a person escapes something or something. Pina here is in a very different place in Wenders’ filmography.

Pina (2011)

Pina is a documentary-dance film that respects the famous German choreographer Pina Bausch. Like cinema and dance, real life is a branch of art that forms its own discipline and these two art branches are intertwined in Pina. Wim Wenders uses 3D technology in the film.

3D technology is a very valuable gift to cinema. However, filmmakers can still use this technology and do not know exactly how to combine. In the examples so far, we have seen 3D in adventure, sci-fi and animated films where there is plenty of action. In 3D Cinema, however, there is a fundamental need to increase 3D. In this respect, it is pointless to discuss how effective 3D is in your physical concept. On the other hand, according to the director’s ability to make use of 3D technology for emotional functions; rather it struck the director’s vision.

It is at this point that Pina gives more than is expected of his director’s cinematic genius. The fact that 3D technology really serves the cinema is not that of bullets flying towards the audience; This is achieved by emphasizing the expression on the fearful face of a woman. Because wrinkles on the forehead are much more cinematographic than flying bullets, and this is Wim Wenders, the first great director to notice.

Therefore, as a cinema lover, I would like to thank Wim Wenders for his contribution to the cinema, and I present him as an example to the followers.

Pina Movie Poster (2011)

Pina (2011)

Directed by: Wim Wenders
Starring: Pina Bausch, Regina Advento, Malou Airaudo, Jorge Puerta, Ruth Amarante, Rainer Behr, Andrey Berezin, Damiano Ottavio Bigi, Bénédicte Billet, Josephine Ann Endicott, Lutz Förster
Screenplay by: Wim Wenders
Cinematography by: Hélène Louvart, Jörg Widmer
Film Editing by: Toni Froschhammer
Costume Design by: Rolf Börzik, Marion Cito
Art Direction by: Péter Pabst
Music by: Thom
MPAA Rating: PG for some sensuality / partial nudity and smoking.
Distributed by: IFC Films
Release Date: December 23, 2011

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