Arabian Nights movie storyline. This lush anthology of erotic tales was filmed in four countries (Iran, Nepal, Yemen, and Eritrea) over a period of more than two years. Completing the literary cycle begun by Pier Pasolini in Il Decamerone and I Racconti di Canterbury, this one is perhaps the most controversial of the lot, engendering reactions from admiration to dismissal.
The connecting story deals with Mur el-Din (Franco Merli), a prince searching for his slave girl lover, Zumurrud (Ines Pellegrini), who has been kidnapped, only to disguise herself as a man, take a wife, and become ruler of a great city. Mur el-Din’s quest carries him to the ends of his known world, where he listens to several stories of carnality and betrayal. The continuity and fluidity of the film depend entirely on the version screened, because several different cuts exist; producer Alberto Grimaldi insisted on a 130-minute release, whereas Pasolini and United Artists preferred the unexpurgated 155-minute version with its ten stories all intact.
Arabian Nights is a 1974 Italian film directed by Pier Paolo Pasolini. Its original Italian title is Il fiore delle mille e una notte, which means The Flower of the One Thousand and One Nights. The film is an adaptation of the ancient Arabic anthology The Book of One Thousand and One Nights, better known as The Arabian Nights. It is the last of Pasolini’s “Trilogy of Life”, which began with The Decameron and continued with The Canterbury Tales. The lead was played by young Franco Merli who was discovered for this film by Pasolini.
About the Story
The main story concerns an innocent young man, Nur-e-Din (Franco Merli), who comes to fall in love with a beautiful slave girl, Zumurrud (Ines Pellegrini), who selected him as her master. After a foolish error of his causes her to be abducted, he travels in search of her. Meanwhile, Zumurrud manages to escape and, disguised as a man, comes to a far-away kingdom where she becomes king.
Various other travellers recount their own tragic and romantic experiences, including a young man who becomes enraptured by a mysterious woman on his wedding day, and a man who is determined to free a woman from a demon (Franco Citti). Interwoven are Nur-e-Din’s continuing search for Zumurrud and his (mostly erotic) adventures. In the end, he arrives at the far-away kingdom and is reunited with Zumurrud.
16 Arabian Tales
The film contains abundant nudity, sex and slapstick humor. It preserves the eroticism and the story within a story structure of Arabian Nights and has been called “perhaps the best and certainly the most intelligent” of Arabian Nights film adaptations. The film comprises 16 scenes:
Arabian Nights (1974)
Directed by: Pier Paolo Pasolini
Starring: Franco Merli, Ines Pellegrini, Ninetto Davoli, Franco Citti, Margareth Clémenti, Tessa Bouché, Claudia Rocchi, Alberto Argentino, Francesco Paolo Governale, Elisabetta Genovese
Screenplay by: Dacia Maraini, Pier Paolo Pasolini
Production Design by: Dante Ferretti
Cinematography by: Giuseppe Ruzzolini
Film Editing by: Nino Baragli, Tatiana Casini Morigi
Costume Design by: Danilo Donati
Makeup Department: Iole Cecchini, Massimo Giustini
Music by: Ennio Morricone
MPAA Rating: None.
Distributed by: United Artists
Release Date: June 20, 1974
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