Tag: steven soderbergh
We all knew the Panama Papers would inspire a movie at some point, but there’s already a feature in the works that’s coming together quickly—and enticingly.
Just months after journalists exposed records from Panamanian law firm Mossack Fonesca that detailed illegal financial activities committed by the rich and powerful, big names are already attempting to bring the scandal to the big screen—including Steven Soderbergh, who’s attached to produce and possibly direct the first film about the incident.
Soderbergh will adapt the yet-to-be-published book Secrecy World by Jake Bernstein—an award-winning journalist who was part of the team that broke the news, bringing more than 11 million records into the public eye—Deadline reports. Bernstein will executive produce, while frequent Soderbergh collaborator Scott Z. Burns will pen the film’s script.
A Panama Papers movie would mark the fourth project Soderbergh and Burns have worked on together, following Contagion, Side Effects, and perhaps most relevantly The Informant!, which managed to spin a comic yarn out of price fixing within agro-business. But if Spotlight’s Best Picture win at last year’s Academy Awards taught us anything, it’s that journalism movies don’t need to be funny to get attention—as long as they’re exposing something that lands with a bang.
The thriller starring Matt Damon knocks “The Help” out of first place for the first time in three weeks.
“Contagion” infected enough moviegoers to catch the top spot at the box office. The Warner Bros. pandemic thriller directed by Steven Soderbergh and starring an A-list cast that includes Matt Damon, Kate Winslet, Jude Law and Gwyneth Paltrow coughed up $23.1 million in its first weekend, according to studio estimates Sunday.
The film’s contagious opening marked the beginning of the fall movie season by exceeding the studio’s estimates. “I think Steven Soderbergh made a compelling movie that tapped into that fear that many of us have about illnesses, viruses and pandemics,” said Jeff Goldstein, Warner Bros. general sales manager. “It’s like a train or car accident. You can’t look away. You prefer not to think about it, but when it’s presented to you, you want to learn more.”
Despite the breakout success of “Contagion,” it was the lowest grossing weekend of the year so far for the film industry, according to Paul Dergarabedian, box-office analyst for Hollywood.com. Dergarabedian said that’s typical for the weekend after Labor Day and expected business to pick up in the coming weeks as the Academy Awards race begins.
“There are some great titles that are on the way,” said Dergarabedian. “I see several promising films — Oscar contenders like “50/5/” ‘The Descendants’ and ‘Ides of March,’ and even potential big moneymakers like “Real Steel”
“The Help” the acclaimed DreamWorks Pictures drama distributed by Disney about black Southern maids speaking out during the civil-rights movement, slipped to No. 2 with $8.7 million after three straight weeks at the top, bringing its domestic total to $137 million.
“Warrior,” the Lionsgate mixed-martial arts drama starring Tom Hardy and Joel Edgerton, punched up a $5.6 million debut in the No. 3 position. David Spitz, head of distribution for Lionsgate, said he expects <“Warrior” to mirror the simmering success of “The Help.”
“The film has gotten unbelievable reviews,” said Spitz. “The audience reaction we’re getting on the movie is consistent. People like the film. It’s a slow burn. We think we’re going to be in theaters for a long time.”