Tag: robert downey jr
You’d assume someone would be jumping for joy to know that he is the highest-paid person in his industry (especially when that industry happens to be Hollywood). However, Robert Downey Jr. is more focused on his legacy and finding continued success as an actor at this point in his life.
In the latest issue of GQ Style, the 51-year-old actor opens up about getting older, wiser and understanding that monetary value has nothing to do with his creative value.
“First of all, could you imagine back in, let’s call it the golden era…Pacino’s and De Niro’s—do you think they would ever have allowed such a paltry discussion, reducing them to a monetary figure?” he asks the publication. “I have had and I have created some of the worst luck in the history of anybody in the public eye. And then there was five minutes there where I was batting a thousand.”
Despite what he may consider his “worst luck,” R.D.J. says he never sees anything as a failure. “I don’t want to talk about failure. I want to talk about moments of humility,” he explains. “Like when you feel suddenly sick and embarrassed but then you have to continue on to the next moment immediately in full view of others. Because it’s not failure if you just recognize, I fell short, and that’s okay.”
In order to prevent himself from falling short in the future, he looks at the roles he takes on with a keen eye. “Honestly, just as someone who loves movies, it’s: Can I be bothered to go see that movie if that guy makes it?” he tells GQ. “And I’m not saying that I only want to do quote-unquote popular mainstream movies. But life is short, and ultimately I’m in a service industry. As much as I exist to do anything else, I exist to create widgets of entertainment for other people to consume. And some people, that’s a big affront to their sensibilities, and I go, okay. End of the day, you are in a service industry, like Kirkland. It’s that simple.”
He continues, “When you’re on the outside looking in, for years, for decades, only a fool misplays [success] once he’s given a winning hand. And aside from certain devastating genetic weaknesses, I am not a fool.”
As for his advice for younger actors seeking the same path as him, he says, “If you always talk about all the cool stuff you’re gonna do, and you don’t understand why it hasn’t already happened for you, because, you know [snaps fingers]… The fumes of that will get you over the first hurdle, and nothing else. You must learn to put your nose to the grindstone for years and not look up, no matter how much rejection is heaped on you.”
He also expresses the power of appreciating what you have when you have it. Looking back on his role in Kiss Kiss Bang Bang, he gets nostalgic. “When I watch that movie I say, ‘You were beautiful. And now…you just need to accept the fact that you’re going to age as gracefully as possible.'”
Those two tantalizing words at the close of 2009’s “Sherlock Holmes” promised audiences that more adventures lie ahead. Now “Sherlock Holmes: A Game of Shadows” fulfills that promise, bringing the legendary detective back to the big screen in a new action-packed mystery that reunites the stars and filmmakers behind that worldwide hit.
Director Guy Ritchie says, “I was very keen to return to Sherlock Holmes’ world because the experience of making the first movie was so positive, both personally and creatively. There were a myriad of story possibilities in revisiting this character because he has so many interesting facets. His idiosyncrasies almost transcend description, so I wanted the opportunity to explore that more, while giving audiences something they hadn’t seen.”
Ritchie’s “Sherlock Holmes” had redefined Sir Arthur Conan Doyle’s iconic character for a new generation, with Robert Downey Jr. creating his own unique incarnation of the role, alongside Jude Law as Holmes’ friend, partner, and occasional foil, Dr. John Watson.
Producer Joel Silver states, “There was a kind of magic that came out of the dynamic between Robert and Jude as Holmes and Watson, and this film gave us a chance to take that up a notch. In the first movie, we had to give audiences the time to get to know the foibles of the characters. Coming into this movie, we had already laid the foundation, so we could launch right into the action, which is bigger, funnier and more explosive in every sense of the word.”
“First and foremost,” Robert Downey Jr. adds, “we wanted to maintain the visceral tone that was part of Guy’s original vision, while presenting Holmes with an even more difficult case, one that would challenge his considerable skills.”
That challenge arises out of the threat from a redoubtable adversary, one whose name is familiar to anyone with even a passing knowledge of the Sherlock Holmes canon: Professor James Moriarty.
“We needed a mystery that raises the bar for Holmes, so we pitted him against his most famous foe,” notes producer Susan Downey. “At the end of the last film, Sherlock fleetingly learned of Moriarty from Irene Adler. In the time elapsed, he has become increasingly obsessed with what Moriarty is up to and has only begun to realize the breadth of his plan.”
Producer Lionel Wigram comments, “Moriarty is the greatest criminal mastermind in the world. He is a genius—albeit a mad genius—but because he is so brilliant, Holmes may have met his match.”
Ritchie emphasizes, “Because they are intellectual equals to a degree, there is the sense that this is a game that is stimulating to them both. In this way, they actually need each other, and that idea is authentic to the books. Holmes needs Moriarty as much as Moriarty needs Holmes.”
To write the screenplay, the producers enlisted husband-and-wife writing team Kieran and Michele Mulroney, with the latter being exceptionally well-versed in the source material. She offers, “Growing up in England, I remember reading the books and being awed by the weird and wonderful way Holmes’ mind worked. It was a joy to revisit the original stories and still marvel at the inventiveness and intricacies of Arthur Conan Doyle’s mysteries.”
In fact, true Sherlock Holmes enthusiasts will notice that the filmmakers paid homage to the author by incorporating some of Conan Doyle’s language in the dialogue.
The screenwriters also felt a responsibility to do justice to the story’s villain, as well as its heroes. “We knew that whatever dire scheme Moriarty had up his sleeve, it had to feel insurmountable,” Kieran Mulroney confirms. “The stakes needed to be proportionate to the professor’s appetite for evil, which is obviously huge. Our goal was to push Holmes and Watson to their limits in pursuit of this man…to test their relationship even more than in the last film.”
“I was thrilled that the connection between Holmes and Watson, as we had developed it, was still very much the heart and soul of the story,” says Jude Law, who returns in the role of Watson.
Producer Dan Lin, who had worked with the Mulroneys before, observes, “Kieran and Michele’s script explores the evolution of Holmes and Watson’s relationship after the first movie—with Sherlock ready for the next case, and Watson engaged to Mary and planning to settle down and step away from the life of a private detective. What does this mean for their future? And how will the world survive without them, especially with Sherlock’s most formidable nemesis, Professor Moriarty, on the loose?”
A highly trained spy working for the international peacekeeping organization, S.H.I.E.L.D. Whedon confirmed that Johansson’s Romanoff would be the only female member of the Avengers, but not the only female character in the film.
The Avengers is an American superhero film produced by Marvel Studios and distributed by Walt Disney Pictures1, based upon the Marvel Comics superhero team of the same name. It is part of the Marvel Cinematic Universe, which crosses over several Marvel superhero films including Iron Man (2008), The Incredible Hulk (2008), Iron Man 2 (2010), Thor (2011) and Captain America: The First Avenger (2011).
The film is written and directed by Joss Whedon and features an ensemble cast, which includes Robert Downey, Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner and Samuel L. Jackson. In The Avengers, Nick Fury, director of the peacekeeping organization S.H.I.E.L.D., recruits Iron Man, Hulk, Thor, and Captain America to save the world from destruction.
Development of The Avengers began when Marvel Studios received a grant from Merrill Lynch in April 2005. After the success of the film Iron Man, Marvel announced that The Avengers would be released in July 2011. With the signing of Scarlett Johansson in March 2009, the film was pushed back for a 2012 release. Whedon was brought on board in April 2010 and rewrote the screenplay that was originally written by Zak Penn. Production began in April 2011 in Albuquerque, New Mexico, before moving to Cleveland, Ohio, in August and New York City in September.
Scarlett Johansson as Natasha Romanoff (Black Widow)
A highly trained spy working for the international peacekeeping organization, S.H.I.E.L.D. Whedon confirmed that Johansson’s Romanoff would be the only female member of the Avengers, but not the only female character in the film. Regarding the character’s abilities to measure up to her teammates Johansson recounted, “The other day we were doing this big reveal shot of all the Avengers.
Thor has got his hammer, Cap’s got his shield, Hawkeye has his bow and arrow, and Hulk is huge. Then it pans over to me and I’ve got guns. Iron Man’s like, hovering above all of us, ready to go… I was like, ‘Joss… um… do I look okay holding these guns?’ and he responded ‘She’s a total badass. She’s a killing machine.'”
Marvel Studios summer launch comic action movie “Iron Man 2” handily surpassed its predecessor franchise without the records of the industry, opening at the top ranking with an internal estimate of 133 6 million box office weekend.
The first “Iron Man” pic – also starring Robert Downey Jr., who enjoyed a personal best rainbow more – opened with $ 98.6 million in May 2008. Some have suggested that pre-release buzz large could result in opening the file by “Iron Man 2”, but the performance $ 158.4 million in the first part of “The Dark Knight in July 2008 remains safe in the record books.
Distributed by Paramount, “Iron Man 2” marked the fifth largest ever bow and Paramount best ever.
heated expectations for the opening we gave our subject knots, a statement Marvel Studios President Kevin Feige has conceded Sunday.
But what has been released nodes watch the film with a paying audience, “said Feige. “It was really an indication to us that they are always with us for this race.”
A franchise three-quel is expected to hit theaters sometime in 2013.
Nelated Link: Iron Man 2 Movie Full Production Notes
“Iron Man 2” that Hollywood hopes will start a lucrative summer movie on Friday, but many American critics feel the long-awaited sequel does not have the punch of its predecessor-super hero.
Actor Robert Downey Jr. dons the costume of high technology once again to fight against the nature of evil that has contributed to “Iron Man” to earn $ 585 million in worldwide box office in 2008. Most critics agreed that Downey Jr’s performance as a selfish billionaire Tony Stark has helped to overcome the shortcomings of bigger, more noisy film is pretty good but not better than the original.
“This is the jumble Downey talent that adds grace notes that do something Iron Man 2” remember, “said Peter Travers of Rolling Stone. The film, which opened a week ago outside a high of $ 100.2 million at the box office, obtained a rate of 64 per cent approval rating on rottentomatoes.com film aggregator.
Hollywood Reporter reviewer Kirk Honeycutt said the element of fun that made the 2008 original so terrible had gone into its second output. “In its place,” Iron Man 2 “has replaced the noise, confusion, many villains, stunts and stories unimportant wrong,” said Honeycutt.
Los Angeles Times film critic Kenneth Turan echoed a widespread view when he commented, “As suites go, it is acceptable, nothing more, nothing less.”
But Bill Goodykoontz Arizona Republic turned into a much more gentle, giving the film three and half stars out of 5 and to call it, “Bigger, more and more stupid than its predecessor,” Iron Man 2 “is still a lot of fun.”
While Tom Long to the Detroit News estimated there are too many new characters, crossing the lines of history, not romantic enough, he said, “Who cares?” Iron Man 2 ‘still rocks.”
Yet for many films promoted action primarily young, male audience, rarely mentioned, and the film is considered raking in the cash over the weekend to come.
“Iron Man 2” is expected to more than 120 million dollars during the opening in the U.S. and Canada this weekend. He launched four months of movies featuring some of the summer’s biggest stars of the industry that Hollywood studios hope to make $ 4 billion at the box office in North America.
Nelated Link: Iron Man 2 Movie Full Production Notes