Tag: renato casaro artworks
A Mexican village is periodically raided for food and supplies by Calvera (Eli Wallach) and his bandits. As he and his men ride away from their latest visit, Calvera promises to return to loot the village again. Taking what meager goods they have, the village leaders ride to a town just inside the American border hoping to barter for weapons to defend themselves.
hile there, they encounter Chris Adams (Yul Brynner), a veteran Cajun gunslinger. After listening to their tale, Chris suggests that the village hire gunfighters, which would be cheaper than guns and ammunition. The village men relentlessly try to convince him to be their gunman. At first he agrees only to help them find men, but later he decides to recruit six other men to help him defend the village, despite the poor pay offered.
The other men include hotheaded, inexperienced Chico (Horst Buchholz); Chris’s friend Harry Luck (Brad Dexter), who believes Chris is seeking treasure; the drifter Vin Tanner (Steve McQueen), who has gone broke after a round of gambling and is loath to accept a position as a store clerk; Bernardo O’Reilly (Charles Bronson), a gunfighter of Irish-Mexican heritage who has fallen on hard times; a cowboy, Britt (James Coburn), who joins for the challenge involved; and an on-the-run gunman Lee (Robert Vaughn) struggling with a crisis of confidence. The group recognizes they will be outnumbered, but they hope that Calvera will move on to an easier village when he sees professional resistance.
Arriving at the village, the seven gunmen begin to train the villagers to defend themselves. Each finds himself befriending the villagers. When they realize that the small meal made for them by the women consists of all the food in the village, the gunmen share it with the villagers. Chico is fascinated by Petra (Rosenda Monteros), one of the village’s young women. Bernardo bonds with three of the village’s little boys. Lee, struggling with nightmares and fearing the loss of his skills, is comforted by the residents. Harry presses the villagers, unsuccessfully, for information about any treasure.
Hilario (Jorge Martínez de Hoyos) and Vin briefly discuss nerves on the eve of battle; Vin confesses that he envies Hilario’s quiet farming life. Calvera and his bandits soon arrive, sustain heavy losses, and are run out of town by the gunmen and the villagers working in concert. Chico, who is Mexican, follows Calvera back to his camp, pretending to be one of the bandits. He learns that Calvera must raid the village because he is desperate for food to feed his men.
The Magnificent Seven is a 1960 American western film directed by John Sturges and starring Yul Brynner, Eli Wallach, Steve McQueen, and Horst Buchholz. The picture is an Old West-style remake of Akira Kurosawa’s 1954 Japanese-language film Seven Samurai. Brynner, McQueen, Buchholz, Charles Bronson, Robert Vaughn, James Coburn, and Brad Dexter portray the title characters, a group of seven gunfighters hired to protect a small agricultural village in Mexico from a group of marauding bandits and their leader (Wallach). The film’s musical score was composed by Elmer Bernstein. In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.
A remake film is currently filming and is scheduled to be released on September 23, 2016.
Italian artist Renato Casaro, born in Treviso near Venice, is a painter by passion whose whole life’s work is influenced by his search for the light.
First, he was drawn to the limelight. After many years as a movie painter and many awards, came recognition world-wide and a successful career as a movie-poster-artist. Many of these works are now cult items, much sought-after by collectors and a part of film-history themselves.
So in l985 Casaro was able to realise a dream: his Painted Movies cycle in which he transfers well-known works of art to modern times – such as the famous Invitation, inspired by da Vinci’s Last Supper, but in Casaro’s interpretation with 13 movie-legends at the table having supper in Hollywood.
Restless and searching for new impressions, Casaro found new light in the African bush and the wide desert skies of the Middle East. His African wildlife paintings are highly praised, and the desert scenes, mysterious and litmitless, are complemented by camels, falcons, bedouin people and horses, captured to perfection. And so to Andalucia.
After living for a few years on the Costa del Sol with its bright clear light he now presents, as result of his studies, his most recent paintings showing Andalucian women in traditional attitudes against amazingly detailed backgrounds of historic Moorish architecture. Casaro’s work proves once again the impressing variety of his art and leaves the spectator wondering – where will he go next’s.
The Magnificent Seven is a 1960 American western film directed by John Sturges. It is a western-style remake based on Akira Kurosawa’s 1954 Japanese film Seven Samurai. The film stars Yul Brynner, Steve McQueen, Charles Bronson, James Coburn, Robert Vaughn, Brad Dexter, and Horst Buchholz who play a group of seven American gunmen who are hired to protect a small agricultural village in Mexico from a group of marauding Mexican bandits. The film’s musical score was composed by Elmer Bernstein.
A Mexican village is periodically raided by bandits led by Calvera (Eli Wallach). As he and his men rode away from their latest visit, Calvera had promised to return for more booty and loot the village again. Desperate to prevent this, the leaders of the village travel to a town just inside the American border to buy weapons with which to defend themselves. While there, they approach a veteran gunslinger, Chris (Yul Brynner). He suggests that they hire more gunfighters for their defense instead, stating that such men would be cheaper than guns and ammunition. They ask him to lead them, but Chris turns this down, telling them that a single man is not enough. They keep asking him, and then he finally agrees. Chris recruits six other fighting men, even though the pay offered is not very much.
First to answer the call is the hotheaded, inexperienced Chico (Horst Buchholz), but he is rejected. Harry Luck (Brad Dexter), an old friend of Chris, joins because he believes Chris is looking for treasure. Vin (Steve McQueen) signs on after going broke from gambling. Other recruits include Bernardo O’Reilly (Charles Bronson), a gunfighter of Irish-Mexican heritage who is also broke, cowpuncher Britt (James Coburn), fast and deadly with his switchblade, and Lee (Robert Vaughn), who is on the run and needs someplace to lie low until things cool down. Chico trails the group as they ride south and is eventually allowed to join them.
City Lights is a 1931 American pre-Code silent romantic comedy film written by, directed by, and starring Charlie Chaplin. The story follows the misadventures of Chaplin’s Tramp as he falls in love with a blind girl (Virginia Cherrill) and develops a turbulent friendship with an alcoholic millionaire (Harry Myers).
Although sound films were on the rise when Chaplin started developing the script in 1928, he decided to continue working with silent productions. Filming started in December 1928, and ended in September 1930. City Lights marked the first time Chaplin composed the film score to one of his productions and it was written in six weeks with Arthur Johnston. The main theme used as a leitmotif for the blind flower girl is the song “La Violetera” (“Who’ll Buy my Violets”) from Spanish composer José Padilla. Chaplin lost a lawsuit to Padilla for not crediting him.
City Lights was immediately successful upon release on January 30, 1931 with positive reviews and box office receipts of $5 million. Today, critics consider it not only the highest accomplishment of Chaplin’s career, but one of the greatest films ever made. In 1992, the Library of Congress selected City Lights for preservation in the United States National Film Registry as being “culturally, historically, or aesthetically significant”. In 2007, the American Film Institute’s 100 Years… 100 Movies ranked City Lights as the 11th greatest American film of all time. In 1949, the critic James Agee referred to the final scene in the film as the “greatest single piece of acting ever committed to celluloid”.