Wong Kar-Wai: The filmmaker who tells us about ourselves

Wong Kar-Wai: The filmmaker who tells us about ourselves

Far Eastern cinema has always had a theme that touches the human spirit in its category. It is in a category that cannot be compared with a classic Hollywood movie, whether with action movies, romantic movies or dramas. While some films push us to deep thoughts, some have the power to question for days. After watching the Oldboy movie, I remember that I could not easily come to myself. The films of Wong Kar-Wai may not be making his audience look that much, but in the journey of emotion he has established, it is certain that one questioned himself.

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Pulp Fiction (1994) - Uma Thurman

Pulp Fiction: Sample of postmodern neo-noir by Tarantino

When it comes to postmodern narrative in cinema, the first thing that comes to mind is Quentin Tarantino’s 1994 Cheap Novel, which he co-wrote with Roger Avary. The cult, with his story, acting and music, won the Palme d’Or, the grand prize in Cannes, and was nominated for seven Academy Awards.

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Once Upon a Time in Hollywood by Quentin Tarantino

Once Upon a Time in Hollywood by Quentin Tarantino

Twenty-five years after Quentin Tarantino won the Palme d’Or for Pulp Fiction, he is back at Cannes with his latest film – and nothing at the 2019 Festival has been so feverishly anticipated. A new Tarantino film is always an event, of course, but when it is nearly three hours long, when it is about the movie business, and when it has the Sergio Leone-evoking title of Once Upon a Time in… Hollywood… well, what could be more exciting for the cinephiles on the Riviera? Many of us were hoping to make use of Brad Pitt’s line at the end of Inglourious Basterds: “I think this just might be my masterpiece.”

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