Tag: patrick wilson
The film opens with a sexually charged, flirtatious online chat between two people with the screen names Thonggrrrl14 and Lensman319. Lensman319 is a photographer who admits to “fantasizing” about Thonggrrrl14. Thonggrrrl14 entices Lensman319 to meet at a café to “hook up”. At the café, Thonggrrrl14 – Hayley Stark – meets Lensman319 – Jeff Kohlver. Hayley makes several references to her age (14 years old), yet succeeds in convincing Jeff to take her to his house. After showing her around, Hayley makes them both screwdrivers and asks him to take photographs. Before he can, Jeff gets dizzy, his vision blurs, and he falls to the floor unconscious.
When Jeff wakes, he is bound to a chair. Hayley explains she has been tracking him and drugged him because she knows he is a pedophile, child rapist, and murderer. Jeff denies these allegations, claiming he had innocent intentions. Hayley searches Jeff’s house for evidence of sexually deviant crimes. She finds Jeff’s gun and safe. In the safe, Hayley finds “sick” pictures and a photo of Donna Mauer, a local girl who had been kidnapped and remains missing. Jeff denies involvement in Mauer’s disappearance and succeeds in reaching his gun, but when he (still bound to the chair) attacks Hayley, she renders him unconscious by asphyxiating him with plastic wrap.
When Jeff wakes, he finds himself bound to a steel table with a plastic bag of ice on his genitals. Hayley explains she will castrate Jeff. To dissuade Hayley, Jeff uses threats, an attempt at a bribe, other negotiations, and in a final, desperate plea for sympathy, he tells her his own story of abuse.
Following the operation, Hayley leaves the kitchen, claiming to take a shower. Jeff struggles and frees himself. When he reluctantly checks the site of the operation, he realizes he is actually unharmed, and Hayley has elaborately faked his castration. He storms off in a rage to get Hayley in the bathroom, where the shower is running. Scalpel in hand, he attacks, only to find the shower empty. Hayley counterattacks him from behind, and as they struggle, Hayley incapacitates him with a stun gun.
Hayley poses as a police officer and asks Jeff’s ex-girlfriend, Janelle, to come immediately to Jeff’s house. Jeff regains consciousness to find that Hayley has bound his wrists and hoisted him to stand on a chair in his kitchen with a noose around his neck. Hayley makes Jeff an offer: if he commits suicide, she promises to erase the evidence of his crimes, but if he refuses, she promises to expose his secrets.
The conversation is interrupted when a neighbor knocks on the front door, selling Girl Scout cookies. Hayley tells the neighbor that she is Jeff’s niece; the neighbor leaves shortly afterwards. When Hayley returns, Jeff breaks free from his bindings and pursues her, eventually finding her on the roof of his house, where she has lured him. Hayley has brought her rope from the kitchen and fashioned it into a noose secured to the chimney. Hayley keeps Jeff at bay with his own gun.
Related Link: Read full production notes for Hard Candy
A smart, charming teenage girl, Hayley probably shouldn’t be going to a local coffee shop to meet Jeff, a 30-something fashion photographer she met on the Internet. But before she knows it, she’s mixing drinks at Jeff’s place and stripping for an impromptu photo shoot.
It’s Jeff’s lucky night. But Hayley isn’t as innocent as she looks, and the night takes a turn when she begins to impose a hard-hitting investigation on Jeff in an attempt to reveal his possibly scandalous past. Hard Candy is an edge-of-your-seat psychotic thriller.
Hayley’s a smart, charming teenage girl — but even smart girls make mistakes. She’s hooking up in a coffee shop with Jeff, a guy she’s met on the Internet. And even though he’s a cute, smooth high-end fashion photographer in his early 30s, Hayley shouldn’t be suggesting that the two of them go back to his house — alone. When they get there, Hayley quickly finds some vodka and starts mixing screwdrivers. She even suggests a photo shoot and strips off some clothing. Everything is going well for Jeff… until his vision blurs and fades, and he passes out.
It turns out Hayley has spiked Jeff’s screwdriver, and when he revives, he’s tied down with Hayley searching through his place. She doesn’t think it’ll take too long to get a confession that she’s not the first teenage girl Jeff’s brought home and, more importantly, that her prisoner knows what happened to Donna Mauer, another girl who disappeared from Jeff’s favorite coffee shop. And if he’s unwilling to confess, well, she has another plan –She uses an icepack as a homemade anesthetic… She starts shaving an incision site… She’s learned a lot from the internet — including this little surgical procedure she’s dying to try…
A cat-and-mouse psychotic thriller as incisive as it is stylish, Hard Candy delivers a provocative take on the revenge drama while jangling the nerves at every turn. Directed by innovative music video and commercials director David Slade and written by accomplished playwright Brian Nelson, Hard Candy plunges us into an unstable universe where we cannot readily identify the “good guy” in the tense confrontation between a 14-year-old girl and the 32- year-old man she suspects of pedophilia and murder.
Rather, the film introduces us to two intelligent, strong-willed individuals who are engaged in a battle of wits – a battle in which it is unclear who is telling the truth. Adding fuel to the film’s fire are the powerhouse performances of its two stars, the young Canadian actress Ellen Page and acclaimed stage and screen actor Patrick Wilson (Angels in America).
As the adolescent avenger Hayley Stark, Page invests her 14-year-old character with all the passion, certitude and coltish charm of the age, while Wilson’s subtle interpretation of photographer Jeff Kohlver draws us to his character even as his behavior remains open to speculation. Making his feature debut, director Slade makes deft use of color, sound, texture, intimate close-ups and editing to ratchet up tension and illuminate character, making Hard Candy a thriller that stimulates the emotions and the senses alike.
The initial inspiration for Hard Candy was a spate of real-life attacks that took place in Japan. Producer David Higgins read about the cases, in which schoolgirls turned the tables on older men trolling the Internet for underage dates. After one girl established an online relationship with a man, she and her friends would ambush him at a pre-arranged rendezvous.
Higgins began mulling over the dramatic possibilities inherent in the story. “It opened an interesting and different perspective on who was the predator and who was the prey,” the producer recalls. “Then I thought: what if it was just one girl going after Internet predators? I’d never seen a movie about a 14-year-old vigilante do-gooder.”
Higgins imagined a minimalist setting for the story, with two characters confronting one another in a strictly defined space. Such a film would be a psychological study as well as a thriller, and the creation of multidimensional individuals was uppermost in Higgins’s mind when he approached playwright Brian Nelson about writing the screenplay.
Explains Higgins, “It’s nice to have the concept, but it’s the execution that matters — and that’s why I wanted to work with a playwright. I needed somebody who could write character, and not just plot. With two people in a room, there are no car chases and nothing to fall back on except character. I’d read one of Brian’s plays, and knew he’d be perfect.”
A leading figure in Los Angeles theatre, Nelson is a co-founder of the David Henry Hwang Writers Institute and an award-winning stage director. Nelson’s plays are largely driven by character, and he recognized that the movie Higgins outlined to him demanded the same approach. “The heart of this piece would be in the duel between two opponents who only seem mismatched at first,” affirms Nelson. “The opportunity to write a two-character duel in the vein of Misery, Sleuth, and Oleanna was too interesting to pass up. And coming from theatre, where there are always more talented actresses than there are roles, how could I resist the chance to create a unique heroine like Hayley?”
Nelson and Higgins spent two months fleshing out the story to their mutual satisfaction, after which Nelson began work on the screenplay. From the characters’ first meeting in a coffee shop called Nighthawks, the story sets up an atmosphere of erotic tension as 32-year-old Jeff and 14-year-old Hayley trade suggestive banter. As a photographer whose work regularly brings him in contact with beautiful teenage girls, Jeff seems to know just the right things to say to Haley, who is by turns bold and awkward as she tries on the role of sexual sophisticate. It is only later that it becomes clear that both Hayley and Jeff have arrived at Nighthawks with hidden agendas.
As the drama unfolds, they continue to play their cards close to their vests. In creating evenly matched characters, Nelson drew upon his own experience as a chess player. “It’s hard to find people to play chess with, so I got used to playing both sides of the board,” the writer explains. “Asking yourself the best move you can make against yourself is, I think, invaluable training for writing two characters who are both at the top of their game, who are involved in a life-or-death duel.”
Nelson’s experience teaching theatre at high school and college levels helped inform his conception of whip-smart 14-year-old Hayley. Says Nelson, “Most of my theatre students are female, most of them are brilliant, and most of them are wrestling with a world that is fundamentally unfair. I wanted to make Hayley as bright and funny and inventive as my best students have always been.”
Related Link: Read full production notes for Hard Candy
Everyone gets old. Not evedlore grows up.
Mavis Gary (Charlize Theron) is a divorced, 37-year-old ghost writer of a series of young adult novels, who is on deadline with her editor to finish the last book of the soon-to-be-cancelled series. Mavis receives an e-mail with a picture of the newborn daughter of her high school boyfriend Buddy Slade (Patrick Wilson) and his wife Beth (Elizabeth Reaser). Believing this to be a sign she and Buddy are meant to be together, Mavis leaves Minneapolis and returns to her hometown of Mercury, Minnesota, to reclaim her life with Buddy, under the pretext of overseeing a real estate deal.
Upon arriving after listening to “The Concept” by Teenage Fanclub on repeat from an old mixtape Buddy gave her in high school, Mavis arranges to meet him the next day at a local sports bar, for old times’ sake. In the interim, she goes alone to a different bar, Woody’s. There she reconnects with a former classmate she barely remembers, Matt Freehauf (Patton Oswalt), who became disabled after being beaten by jocks who erroneously assumed he was gay. Matt tells Mavis that her plan to destroy Buddy’s marriage is irrational and selfish, but she ignores him.
The following day, Mavis meets Buddy at the sports bar, where they run into Matt, the bar’s bookkeeper. On their way out, Buddy invites Mavis to a performance of Beth’s “mom rock band”. In the interim, Mavis spends another night getting drunk with Matt, who distills homemade bourbon in the garage of the house he shares with his sister Sandra. When Mavis attends the concert of Beth’s band, the other moms are resentful of Mavis, whom they remember as the “psychotic prom queen bitch”. When Beth’s band performs, the lead singer dedicates their opening song to Buddy from Beth; much to Mavis’s dismay, it is “The Concept”.
Beth wants to stay out longer, so Mavis offers to drive the drunk Buddy home. On the lawn they share a kiss that is quickly broken up when the babysitter opens the front door to greet them. The next day, after an awkward encounter with her parents, Mavis is invited to Buddy’s daughter’s naming ceremony. She later goes out drinking with Matt again, during which Matt tells Mavis to grow up.
The following day, Mavis attends the party, where she declares her love for Buddy, but he rebuffs her. Everyone at the party is called out to the lawn to await a surprise Buddy has prepared for Beth. Mavis, who has been drinking at the party, collides with Beth, who accidentally spills punch on Mavis’s dress. Mavis insults her, and in a profanity-laced tirade tearfully reveals she became pregnant with Buddy’s baby years ago, but had a miscarriage after three months.
Buddy, who has been preparing a drum-set gift for Beth in the garage, opens the garage door and belatedly learns what has transpired. Mavis asks him why he invited her. He reveals it was Beth’s idea, as she feels sorry for Mavis. Humiliated, Mavis leaves the party and visits Matt, where she breaks down in tears and, later, initiates sex.
The following morning, while Matt sleeps, Mavis has coffee in the kitchen with Sandra, who still idolizes her. Mavis talks about needing to change herself, but Sandra says Mavis is better than the rest of Mercury and should not change. Mavis says she agrees, and prepares to return to Minneapolis. Sandra asks to go with her but Mavis declines and leaves alone.
Young Adult is an American comedy-drama film directed by Jason Reitman, from a screenplay written by Diablo Cody, and starring Charlize Theron. Reitman and Cody worked together previously on Juno (2007). Young Adult had a limited release on December 9, 2011, and a wide release on December 16 to generally positive reviews.
Related Link: Read the Full Production Notes for Young Adult