Tag: christopher nolan
Acting alongside Christian Bale was not the only reason Anne Hathaway was excited to portray what she calls “one of the most famous female comic book characters ever.” She recounts, “I did look back at some archival comics and read a lot about Bob Kane’s inspirations for Catwoman, but the most important thing was to be Catwoman in this film and fit into Christopher Nolan’s Gotham City. I’m such a huge fan of Chris’s. With Batman, he has been able to pose some really interesting philosophical questions, while shooting these spectacular action sequences and also finding the humor. It was a thrill to work with someone whose mind is so brilliant and whose talent is so very evident.”
Nolan offers, “We needed to find the balance between the classic image of the character and a believable person you care about. Casting Anne Hathaway in the role was the key to that. She was able to combine those facets seamlessly so they aren’t in conflict, but one is amplifying the other.”
“I think Selina does what is necessary to survive,” relates Hathaway, “and that includes crossing a few lines that others might find unforgivable. Even if she wants to change, it’s hard to escape your pastâ€¦and she does have a past. That makes her vulnerable, especially these days when anyone with a computer or smartphone can look up almost anything about you. Everybody has moments in life when they think, ‘If I knew then what I know nowâ€¦’ Selina might like the opportunity not to have to live by the choices she was forced to make up to this point.”
Bane, however, has no such compunctions. Everything he does is a means to an end. Tom Hardy attests, “Bane has come to do a job and has no feelings of remorse or shame about the death and destruction he’s causing. There is nothing ambiguous about Bane. He is clearly a villainâ€¦just a horrible piece of work.”
The Dark Knight Rises actress Marion Cotillard recently attended the premiere of her new movie Contagion, where she coyly talked about her character, Miranda Tate, in The Dark Knight Rises.
Almost immediately after she was cast, speculation rose that Miranda Tate, a Wayne Enterprises board member who is not featured in the comic books, is actually an alias for Talia al Ghul, daughter of Ra’s al Ghul. Here’s what she had to say below, when asked if she looked to the comic books for inspiration.
When asked if she was lying to protect the secretive nature of Christopher Nolan’s production, she denied the allegation. It is possible that Miranda Tate really isn’t the alter-ego of Talia al Ghul, but at the same time, it is possible that they are one and the same. Take a look at the actresses video interview below.
The Dark Knight Rises comes to theaters July 20th, 2012 and stars Christian Bale, Morgan Freeman, Michael Caine, Gary Oldman, Tom Hardy, Anne Hathaway, Marion Cotillard, Joseph Gordon-Levitt. The film is directed by Christopher Nolan.
Warner Bros. has released the first promo image of Anne Hathaway as Catwoman in The Dark Knight Rises, the next installment in the Batman franchise.
The 28-year-old Anne Hathaway joins veterans Christian Bale, Gary Oldman, Morgan Freeman and Michael Caine in the Christopher Nolan-direction action flick.
“I am thrilled to have the opportunity to work with Anne Hathaway, who will be a fantastic addition to our ensemble as we complete our story,” Nolan said in January.
Though Hathaway hasn’t revealed much about her role (“I signed a blood oath,” she says), the actress is looking forward to portraying the iconic D.C. Comics character.
“I want to be the best actress I can be and that means working with the best people and taking the most challenging roles,” Hathaway tells Total Film. “That’s the plan and so far it’s led to some really exciting places.”
Catwoman was first played by actress Julie Newmar (now 77) in the 1966 Batman TV series; Eartha Kitt took over the role in the show’s third season. The feline vixen was last played by Michelle Pfeiffer in 1992’s Batman Returns. (Halle Berry starred in the 2004 flop Catwoman; the heroine’s alter-ego was renamed Patience Phillips.)
Arriving in theaters July 20, 2012, The Dark Knight Rises also features three new characters: John Blake (played by Joseph Gordon Levitt), Miranda Tate (played by Marion Cotillard) and Bane (played by Tom Hardy).
Christopher Nolan says he has lots of ideas that couldn’t fit in the film. But game won’t come soon.
Christopher Nolan might have the Midas touch when it comes to making movies, but he hasn’t had a lot of luck in the videogame arena. But that’s not dissuading the writer / director / producer, who plans to bring his hit film “Inception” to a console near you.
“We are looking at developing a videogame based on the world of the film, which has all kinds of ideas that you can’t fit into a feature film,” Nolan told reporters at a press conference in Rome, according to a report in Variety. “That’s something we’ve been talking about and are looking at doing long term, in a couple of years.”
The move makes sense. “Inception” has grossed over $750 million dollars at the box office since its release – and the film’s target audience lines up perfectly with the core gaming demographic.
But Nolan has tried to bring one of his movies to the gaming space before – 2008’s “The Dark Knight” – and it didn’t go well.
The game first missed a coordinated launch with the theatrical release, then failed to materialize when the DVD hit shelves. Ultimately, Electronic Arts cancelled the title after shutting down the studio that was working on it.
The world of video games is, of course, littered with forgettable movie-based tie-ins. The vast majority of those were rush jobs done by developers who were far removed from the film process, rarely (if ever) coordinating with the director.
If Nolan were to take an active role in the “Inception” game’s development, that would be an encouraging sign – but it would hardly be a guarantee of success.
Just ask James Cameron. The most successful director of all time worked closely with Ubisoft when that publisher was creating the videogame companion for “Avatar”. But when the game launched, it didn’t come close to mirroring the film’s success, failing to even crack the list of the top 20 best-selling games last December.
Atari had better luck when it worked with the Wachowski brothers on “Enter the Matrix”. Launching simultaneously with “The Matrix Reloaded” in 2003, the game went on to sell 5 million copies – but it was lambasted by critics and players, and future “Matrix” games weren’t big sellers.
Other Hollywood directors have been able to extend their cinematic prowess to the gaming screen, though. Peter Jackson worked closely with Ubisoft to create the gaming adaptation of his “King Kong” film, a game that went on to become one of the premiere launch titles for the Xbox 360. And Steven Spielberg has worked on non-movie related games with Electronic Arts — including his “Boom Blox” puzzle games — that have gone on to become critical smashes.
More recently, developers at Disney Interactive Studios worked closely with Pixar on the video game version of “Toy Story 3.” That game became one of the most lauded movie tie-in titles in the company’s history.
Nolan’s not the only celebrated director expressing interest in exploring the game world these days. Guillermo Del Toro, director of the “Hellboy” franchise and “Pan’s Labyrinth,” is said to be close to signing a deal with publisher THQ to work jointly on “games that are going to be technically and narratively very interesting.”
Like Nolan, del Toro has an artistic vision that’s distinct from the rest of Hollywood. Gamers are wary, having been burned by too many bad Hollywood tie-ins already, but hopeful that the magic the directors bring to the big screen is something they can deliver to the consoles as well.
Related Link: Inception Movie Full Production Notes
Leonardo DiCaprio calls filming a scene for the thriller in the middle of a blizzard “insane.”
“You periodically felt like you were a part of something truly insane, but it was all in a day’s work,” Leonardo DiCaprio told me during a junket for the movie “Inception.” Even if that day’s work includes shooting on a mountain in the middle of a blizzard.
Based on an original script by director Christopher Nolan, “Inception” is a film that defies easy sound-bite descriptions. Its Russian nesting doll-like structure of a dream enclosed within a dream enclosed within another dream virtually demands multiple viewings. Think Philip K. Dick meets “The Italian Job.”
Nolan’s previous silver screen venture was a little movie called “The Dark Knight” — the highest grossing non-James Cameron movie in American history. So for this go-around, the director’s vast, ambitious vision seems to have been utterly unfettered by financial constraints. And it shows.
“Inception” was shot in Tokyo, Los Angeles, Morocco, London, Paris and the Canadian Rockies. It features shots of the French capital folding in on itself M.C. Escher-style, a zero-G fist fight, and a freight train blasting through the streets of downtown Los Angeles. And in one sequence, Leo and the gang stage a raid on a snow-bound Alpine fortress — the aforementioned shoot in the blizzard.
Leo describes an exchange he had with an assistant director during production. “When we started shooting one of the ADs said, ‘Before you get to lunch we want to do some of the avalanche shots.’ ‘OK, how is that going to happen?’ ‘We’re going to blow up a couple mountains and we’re going to start a couple of avalanches and you’re going to get in there and be a part of it and then we’ll take you to lunch.’ And this is kind of what you expect on a Chris Nolan set.”
Co-star Ellen Page agreed. “It was definitely the most extreme environment I’ve ever filmed in.”
And if you thought that cast worked hard, try the production crew. That fortress had to be constructed out of wood and plaster — carried straight up the mountain — without the use of normal construction equipment. It was so cold up there that paint froze on the brush.
For a summer movie season that has proved to be easily the lamest in recent memory, filled with tepid adaptations and tired ’80s retreads, Christopher Nolan’s brand of cinematic insanity might just be what the doctor ordered.