Silent House Movie Theatrical Trailer

Silent House

Sarah is a young woman who finds herself sealed inside her family’s secluded lake house. With no contact to the outside world, and no way out, panic turns to terror to terror as events become increasingly ominous in and around the house.

Directed by: Chris Kentis
Starring: Elizabeth Olsen, Adam Trese, Eric Sheffer Stevens, Julia Taylor Ross, Haley Murphy
MPAA Rating: R for disturbing violent content and terror.
Studio: Open Road Films
Release Date: March 9, 2012

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3 facts you should know about your skin

3 facts you should know about your skin

Changes in thickness, dryness, and texture can indicate thyroid or other problems.

Taking care of your skin is probably second nature by now. You know to slather on SPF each morning and scan for new and changing moles to keep your skin happy and healthy. But despite understanding how to combat wrinkles and ward off disease, there’s a fair share that you might not know about your body’s largest organ. Read on for seven interesting facts about your skin.

1. Your skin’s appearance and texture can give you clues about the rest of your health.

Sometimes, changes in your skin can signal changes in your health as a whole. For example, according to Brooke Jackson, MD, Director of the Skin Wellness Center of Chicago, “The hormones that the thyroid produces are directly responsible for the natural fats that protect the skin, as well as hair and cell growth and hair pigmentation.”

She explains that in a person with hyperthryroidism (when the thyroid overproduces thyroid hormone), the epidermis––the outer layer of skin––may thicken and skin may be soft. With hypothyroidism (when the thyroid under-produces thyroid hormone), on the other hand, symptoms include very dry skin and thickened skin on the palms and soles. Another way your skin can tip you off to health issues: Acanthosis nigricans, a condition in which skin around the neck darkens and changes in texture, is often associated with diabetes, according to D’Anne Kleinsmith, MD, dermatologist at William Beaumont Hospital in Royal Oak, MI.

2. Everyone has the same pigment in their skin that’s responsible for color.

Melanin, explains Josie Tenore, MD, SM, is a coloring pigment that is present in all people’s skin—regardless of race. “The difference in skin tone between people of different races—and between people of the same race––lies in how much of this pigment is present, and its distribution within the skin.”

More specifically, everyone—no matter how dark or pale they are––has the same number of melanocytes, which are the cells that make melanin, explains Arnold Oppenheim, MD, a board-certified dermatologist. “It’s their product, melanosomes—which contain the melanin––that differ. Some people have denser and larger ones, which make their skin darker.” Also, the denser and closer together they are, “the more protection the skin is afforded from skin cancer,” he says.

3. As we age, our skin sheds cells more slowly.

Ever wonder why children have such naturally rosy and dewy skin? While skin of all ages produces new cells which eventually move to the surface and shed off, young people’s skin does this more often, according to Dr. Tenore. “In kids, this happens every two to three weeks, which gives them that vibrant, shiny skin. But as we age, this process becomes slower. More dead cells stay on the surface, resulting in that dull, dehydrated look.”

She adds that exposure to direct sunlight slows down the sloughing off process even further because UV light decreases cellular turnover. Depending on your skin type—your dermatologist can identify yours––daily exfoliation or a topical antioxidant serum that contains retinoids, vitamins and peptides can help encourage cell turnover, according to Francesca Fusco, MD, a New York City dermatologist.

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5 Hottest Chicks in Leather from Popular Movies

Carrie Anne Moss in The Matrix

1. Carrie Anne Moss – The Matrix

You don’t always have to show skin to be sexy in leather. You just need to be handy with a variety of weapons and spout new-age philosophy from time to time. And so we come to Trinity: Sometimes she saved us, sometimes she confused us, but mostly she just aroused us.

Kate Beckinsale as Selene in Underworld Awakening

2. Kate Beckinsale – Underworld Awakening

No, it’s not just because her movie is about to drop. It’s because her leather catsuit-corset combo fits her like a glove. Perhaps ironically, Kate’s hands are the only part of her body below the neck not covered in skin-tight leather.

Kristanna Loken in Terminator: Rise of the Machines

3. Kristanna Loken – Terminator: Rise of the Muchines

In the future, hot chicks will be clad entirely in red leather. And, apparently, they will want you dead.

Malin Akerman in Watchmen

4. Malin Akerman – Watchmen
Because wearing leather isn’t really about subtlety, we love the yellow on Malin Akerman.

Mila Kunis in Max Payne

5. Mila Kunis – Max Payne

Because you can’t kill ghoulish bad guys in khaki, Mila Kunis brought out the leather when it was time to bring out the big guns.

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Understanding the Universe Art Print

Understanding the Universe Art Print

Understanding the Universe Art Print

24 in. x 36 in.

Buy This at Allposters.com

understanding the universe, space posters, universe posters, educational posters, nasa posters, decorative art prints, astronomy posters

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Big Crunch: How will our universe end?

Universe: You Are Here

Universe: You Are Here

36 in. x 24 in.

Buy This at Allposters.com

Assuming the standard model is true, our universe’s end will likely all come down to one of three theories, each of which depends upon three things: the shape of the universe, how much dark energy is contained within it, and how the densities of dark energy will respond to the expansion of the universe.

There are believed to be three possible shapes of the universe: an open universe, a flat universe, and a closed plane of space-time.

In an open universe (think of a gigantic, saddle-shaped object), the universe is likely to experience the Big Freeze. In this scenario, the universe will continue to expand until matter has stretched incredibly thin, the stars have all burnt out, galaxies have ceased creating new stars to replace them, and all mass as we know it has ceased to exist. Everything will become dark and cold. The universe won’t so much as end as it will simply fizzle out, settling into a silent and lonely slumber at absolute zero.

Another possibility for universal armageddon is the Big Rip. Not as dependent on the shape of the universe as much as the amount of dark energy contained within it, this model implies that the acceleration of the universe will continue to increase without slowing, and the dark energy will become so strong that it will overwhelm the other elemental forces. Galaxies, suns, and planets alike will begin tearing themselves apart, all ending in a gravitational singularity — a place in which the standard rules of physics and relativity no longer apply.

Somewhat less unsettling is the theory of the Big Crunch, in which the universe will continue to expand until matter begins to slow the rate of expansion. Once slowed enough, the expansion will eventually come to a halt and begin to retract. Everything — planets, suns, galaxies, black holes, even the indestructible iPad 7000 — will all come crashing back together, culminating in a Big Crunch: essentially the opposite of the Big Bang that kicked our universe off in the first place. The bright side here is that the crunch is thought to be succeeded by yet another Big Bang and the creation of a whole new universe. Unfortunately, of the three, the Big Crunch is currently the least favored hypothesis within the physics community — meaning our dreams of an endlessly cycling universe of birth, destruction, and rebirth may end up being relegated to the realm of science fiction.

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Dark matter arises questions about creation of universe

Dark matter arises questions about creation of universe

Dark matter continues to confound astronomers, as NASA’s Chandra X-ray Observatory demonstrated with the detection of an extensive envelope of dark matter around an isolated elliptical galaxy. This discovery conflicts with optical data that suggest a dearth of dark matter around similar galaxies, and raises questions about how galaxies acquire and keep such dark matter halos.

Dark matter is a mysterious kind of glue that holds not only the mysterious together, but is theoretically responsible for their creation. It was originally suggested in 1933 to explain discrepancies math by calculating the mass of galaxies, essentially, more material is needed to keep the galaxies together, we can see. Since then, we have not learned a whole hell of a lot more about dark matter.

In fact, we seem to know more about this itisn’t than it is. We know there is no antimatter. We also know that there is no dark clouds of normal matter. Many physicists believe that it represents about 83% of matter in the universe – even if we still have to prove that it exists!

The tricky thing with the dark matter is that we can not be detected directly, it is invisible. Dark matter is revealed by its severity, so we have, instead of measuring it through its interaction with normal matter. Currently, there are two contradictory experiments conducted in an attempt to confirm the existence of dark matter.

The Cryogenic Dark Matter Search (CDMS) detector Sudan mine in Minnesota is the search for weakly interacting massive particles, or WIMPs, whose discovery could resolve the problem of dark matter. Although the dark matter should be everywhere, it is estimated that some WIMPs can pass through the galaxy without interacting with normal matter, making it very difficult to discover. Although scientists have not yet detected WIMPs directly, they found significant evidence that they exist.

In direct conflict with these results, the XENON100 experience in Gran Sasso Laboratory in Italy has so far yielded negative results with respect to the WIMP. This does not mean that WIMPs exist, but simply that they are harder to detect than scientists had previously assumed.

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Elizabeth Banks Career Milestones

Elizabeth Banks

Elizabeth Banks has become one of Hollywood’s most sought after and versatile actresses, moving effortlessly between comedy and drama, film and television, and now also taking on a role as a producer. Her upcoming films include The Hunger Games and Welcome to People. She was most recently seen starring in Our Idiot Brother with Paul Rudd, Emily Mortimer and Zooey Deschanel; and opposite Russell Crowe in The Next Three Days, directed by Paul Haggis. Currently, she is in production on Universal Pictures’ Pitch Perfect, which she is producing with her husband, Max Handelman, through their company, Brownstone Productions. The cast includes Anna Kendrick, Brittany Snow and Rebel Wilson.

Banks will next be seen in Lionsgate’s The Hunger Games, in which she stars as ‘Effie Trinket,’ on March 23rd, 2012. The film, based on the first novel of Suzanne Collins’ bestselling trilogy, is set in a post-apocalyptic America and tells the story of a 16-year-old girl, ‘Katniss Everdeen’ (Jennifer Lawrence), who must participate in a fight-to-the-death annual televised event called the Hunger Games. ‘Effie Trinket’ is a pink-haired showbiz type who becomes mentor to ‘Katniss.”

She will then appear in Lionsgate’s motherhood comedy What to Expect When You’re Expecting. Banks portrays an author of a children’s book about breast feeding and owner of The Breast Choice boutique, who is militant in her beliefs about what makes a good mother until she gets pregnant for the first time. The film, directed by Kirk Jones, is based on Heidi Murkoff’s bestseller, and the ensemble cast includes Cameron Diaz, Jennifer Lopez and Dennis Quaid. The film is scheduled to be released over Mother’s Day weekend on May 11th, 2012.

Banks has also wrapped production on DreamWorks Pictures’ Welcome to People, in which she stars opposite Chris Pine, Olivia Wilde and Michelle Pfeiffer. The film follows a businessman (Pine) who returns home after his estranged father’s death and discovers that he has an alcoholic sister (Banks) with a 12-year-old son. The film is scheduled to be released in 2012.

In August 2011, she was seen in Our Idiot Brother opposite Paul Rudd. Our Idiot Brother and The Details premiered at the Sundance Film Festival in January 2011 and were purchased for distribution by The Weinstein Company. In The Details, she stars as ‘Nealy Lang,’ whose husband’s (Tobey Maguire) efforts to rid his backyard of lawn-destroying raccoons somehow leads him down a path with disastrous results.

In 2008, Banks received critical acclaim for her role as ‘First Lady Laura Bush’ opposite Josh Brolin in Oliver Stone’s W. The impressive cast included James Cromwell, Richard Dreyfuss, Ellen Burstyn and Jeffrey Wright. In Kevin Smith’s Zack and Miri Make a Porno, Banks (Miri) and Zack (Seth) played two broke friends who decide to cure their financial ills by making an X-rated movie.

Banks’ additional feature credits include her breakthrough roles in the award Academy Award winning films Seabiscuit, in which she starred as ‘Marcela Howard’ opposite Jeff Bridges and Tobey Maguire, and in Steve Spielberg’s Catch Me If You Can. She has also appeared in Role Models, Meet Dave, Invincible, The 40-Year-Old Virgin, Fred Claus, Sisters, Slither, Heights, The Baxter, The Trade, Ordinary Sinner, The Uninvited, Daltry Calhoun, Sexual Life, John Singleton’s Shaft with Samuel L. Jackson and cult hit Wet Hot American Summer starring Janeane Garofalo and David Hyde Pierce. She also appeared as journalist ‘Betty Brant,’ a role that director Sam Raimi created for her, in Columbia Pictures’ three blockbuster Spider-Man films with Tobey Maguire as the title character.

On the small screen, Banks has recently been seen in a recurring role as ‘Avery Jessup,’ Alec Baldwin’s love interest, on the NBC series “30 Rock.” She earned an Emmy Award nomination in 2011 for ‘Outstanding Guest Actress in a Comedy Series’ for her performance. She has also appeared on ABC’s “Modern Family” and in a recurring role as ‘Dr. Kim Porter’ on NBC’s “Scrubs.” In 2007 she appeared in the CBS mini series “Comanche Moon,” which is Larry McMurtry’s popular prequel to “Lonesome Dove.”

Banks also produced Disney’s 2009 sci-fi thriller The Surrogates, starring Bruce Willis, through her company Brownstone Productions. Upcoming projects for Brownstone, which Banks runs with her husband Max Handelman, include Tink, a Disney live-action romantic comedy in which Banks will star as the title character of’ Tinkerbell;’ Forever 21, a Dreamworks comedy which Banks will star in and produce; Too Far From Home, a Universal film about three astronauts who were stranded on the international space station; and the college a cappella group comedy “Pitch Perfect.”

Her extensive theater credits include many roles in American Conservatory Theatre productions, as well as the Guthrie Theater’s production of Summer & Smoke directed by David Esbjornson. In 2006 Banks played Cherie, the female lead in William Inge’s comedy Bus Stop, as part of the Williamstown Theater Festival.

Originally from Massachusetts, Banks received her Bachelor’s Degree from the University of Pennsylvania and her Graduate Degree at the American Conservatory Theater. She currently resides in Los Angeles.

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Sara Paxton Career Milestones

Sara Paxton

Birth Name: Sara Paxton
Birth Date: April 25th, 1988
Birth Place: Woodland Hills, Los Angeles, California, USA

Sara Paxton is an accomplished young actress who has shown her striking versatility in feature films, on television and in music. She was recently seen in the well-received shocker The Last House on the Left, an update of the ’70s horror classic from Wes Craven, costarring Garret Dillahunt, Aaron Paul and Tony Goldwyn. Paxton showed off her comedic chops in the spoof Superhero Movie and the romantic comedy Sydney White, also starring Matt Long and Amanda Bynes. Additionally, Paxton is well known for playing the title role in family favorite Aquamarine, about a mermaid looking for love on land.

Soon to be released are director Jack Heller’s supernatural thriller Enter Nowhere, costarring Scott Eastwood and Shaun Sipos, and Ti West’s ghost story The Innkeepers, co-starring Pat Healy and Kelly McGillis, which made its premiere on the festival circuit earlier in the year. Paxton has just completed shooting the independent features Static and Liars All.

Other film credits include Sleepover, Liar Liar, Soldier, Music from Another Room and Haunted Lighthouse.

Since beginning her career at age six, Paxton has accumulated an impressive list of performances in commercials, television and features. In addition to being cast as a series regular on the WB’s coming-of-age sitcom “Greetings from Tucson” in 2002, Paxton has guest starred on series such as “CSI: Miami” and the cult hit “Action.”

More recently, Paxton was a series regular on the CW series “The Beautiful Life: TBL,” a short-lived drama about the competitive world of modeling. She starred in the powerful Lifetime movie “The Party Never Stops,” about a college freshman dealing with the problem of binge drinking. She was also seen in the very successful “Return to Halloweentown,” for Disney Channel.

Paxton played title character Darcy Fields in “Darcy’s Wild Life,” airing for two seasons on Discovery Kids and NBC Saturday mornings. For this role, she received a Daytime Emmy Award nomination for Outstanding Performer in a Children’s Series. The video for Paxton’s single from the show’s soundtrack, “Take a Walk,” played in heavy rotation on Discovery Kids. She also guest-starred on Fox’s “Malcolm in the Middle” and NBC’s “Will & Grace.”

Paxton then played a recurring role as Jesse McCartney’s troubled girlfriend, Sarah Bordin, on the WB series “Summerland.”

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The Innkeepers: Making Movies in a Haunted Hotel

The Innkeepers

Writer / director Ti West: I’m a skeptic as it is, but I had some weird electric things in my room. The light bulbs would burn out all the time and the TV would turn off and on by itself. It was really just a vibe – it felt like someone was in the room with you. It may sound bogus and just like what everyone else says, but I don’t ever feel that way in my life. Ever.”

Producer Derek Curl: I felt a ghost – I didn’t see a ghost. But I’m also very sensitive to them. I was sitting in bed and actually jumped off because I felt something push up against me…I think the ghosts here really have a bathroom fetish, because they love screwing with people’s bathrooms, whether it’s the water coming on, the lights flickering, doors shutting…

Actress Sara Paxton: It was unsettling living in that inn! One night I was in my bed reading a book after dinner; the windows were closed and suddenly the bathroom door slams and the light flicks on! It freaked me out – I was frozen. It must have been a breeze, I thought, but how could there a breeze when the windows are closed?

Cinematographer Eliot Rockett: I’m the old guy – practically everyone else on the shoot was 30 or under. The whole haunted hotel thing, whatever, I didn’t experience any of that. But this hotel is crooked and weird and not quite right.

Producer Peter Phok: I remember hearing the stories of The Yankee Pedlar being haunted from Luke, the night watchman, when we were here making The House Of The Devil. Personally, I’m not a superstitious person – I’ve got to see it before I believe it. That said, there’s definitely a creepy vibe at this hotel.

Actor Pat Healy: I’m not a believer in ghosts, but I did experience the weird atmosphere of that place, that town. And there were times when we were shooting those “scare moments” when I really felt it.

Line Producer Jacob Jaffke: Everyone had really crazy dreams. The same thing happened when we were making The House of the Devil and staying at the very same hotel. It kind of felt like you were watching Videodrome on acid in the rain…that is the only way I can describe the feeling you would have when you woke up with after a night’s sleep in the Pedlar.

Actress Kelly McGillis: I never had any experiences of being “haunted” when I was there. The Yankee Pedlar was a little creepy, yes, but it also had an interesting charm to it.

Read full production notes for The Innkeepers >>

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Big Miracle: Shooting in Alaska

Big Miracle: Shooting in Alaska

Kwapis was an advocate for shooting in Alaska, a state that has not been used often in recent major filmmaking. With its newly minted incentive program in place, it could compete financially with better-known centers of production such as territories throughout Canada and the Pacific Northwest. “Big Miracle is perhaps the only major studio film to shoot entirely in Alaska,” reflects Kwapis. “On many levels, we all felt we were exploring new territory. A filmmaker usually chooses a location for its physical beauty. I lobbied to shoot in Alaska for another reason: the people. It was odd to make the case to Universal that we needed to go to Alaska so that the extras looked right, but this was critical to the film’s credibility. The faces on screen had to be the right faces. You cannot find the Inuit people of Alaska anywhere but Alaska, and their faces form one of the film’s most beautiful landscapes.”

The director’s vision was shared by the production team, who backed the decision to base the filming in the bustling city of Anchorage. Offers Sugar: “What you gain by shooting in Alaska instead of inside a studio back lot is the feeling of being in another world. Ken very rightly advocated for Alaska, as well as the city of Anchorage, which turned out to be wonderful partners for us.”

While any production aims to be true to life, shooting in Barrow, hundreds of miles north of Anchorage, was not feasible. Anchorage, a modern city of 300,000 people located on the south central coast of Alaska, is in what locals term the “banana belt” for its comparatively mild temperatures. Explains Kwapis: “The town of Barrow could not accommodate a large shooting crew, so it was never an option. And of course, it is numbingly cold. Anchorage was our best choice.”

First on the agenda was finding a suitable spot to build the Barrow set in Anchorage, a city ringed by mountain ranges. Unfortunately, there were not many candidates, as there are very few places where one can look out on the horizon and not see mountains. After scouting one locale that was unobtainable and a second inaccessible to equipment, the team settled into an area adjacent to downtown Anchorage near the mudflats. This location gave them a partially unobstructed horizon with which to work.

That site, on railroad land just down a slope near downtown at the Port of Anchorage, gave the filmmakers not only space to build the Barrow ice field and portions of the town itself, but room for parking and equipment. “We needed an open view of the water, some place that had a clear horizon line,” says production designer Nelson Coates. “We also needed to have room to dig the breathing holes for the whales, which, for safety reasons, required the construction of a much larger surrounding hole.”

When the team commenced digging that hole, Coates and crew found something unexpected: debris from the 1964 Anchorage earthquake that had ravaged the city. “Apparently, the city had used this area for storing bulldozed remnants of the disaster in 1964,”says the designer. “We found things like mattresses, oil tanks, railroad ties and timber and had to be careful about where we dug.”

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