The Ultimate Movie Resource
French director Jacques Rivette, who is one of the fixture names of the New Wave movement, has created a cinematic understanding with every production.
Céline et Julie Vont en Bateau by Jacques Rivette (1974) Read More
La Femme Infidéle by Claude Chabrol. The political wreckage of Second World War had dragged Europe into a great instability in terms of economy and politics.
La Femme Infidéle by Claude Chabrol (1968) Read More
Vivement Dimanche by François Truffaut. Francois Traffaut, 34 years after his first directing experience, this time his latest movie Vivement dimanche! (1983) was behind the camera.
Vivement Dimanche by François Truffaut (1983) Read More
The movie begins with the alcohol-addicted Alain in the clinic meeting with Lydia, who is part of a troubled love. Alain has become a man who cut suicide news from the newspaper and has never exceeded his pains about life. Apart from her lover Lydia, her biggest problem is being able to love and wait for his wife Dorothy again.
Le Feu Follet by Louis Malle (1963) Read More
My favorite aspect of the New Wave stream is that it never refuses mainstream cinema. Many of his directors know the mainstream cinema, especially Hollywood, because he went through the …
Le Genou de Claire by Eric Rohmer (1970) Read More
Jacques Rivette, in another production, Va savoir (2001), turns the film into an artistic play from the beginning with his story on the theater stage. In this game, the secrets of six people that are intertwined between past and present are told. These six people, consisting of directors, theater actors, thinkers and intellectuals, bring art performers to the stage with their professions and fields of work and put some kind of art on the table in their own context.
Va Savoir by Jacques Rivette (2001) Read More
The most distinguishing feature of the New Wave is that it constantly attacks the audience’s perceptions, who are inclined to believe the reality of the motion picture. No matter how real the story we watch, sometimes an external sound, sometimes suddenly split scenes, and sometimes subtitles added to the image, it reminds us that we are watching a movie.
Cleo de 5 à 7 by Agnès Varda (1962) Read More