Author: Movies Central

Through four previous outings, the Resident Evil saga has taken audiences around the world and deep inside the mysterious Umbrella Corporation, but never before on such a vast scale. “Resident Evil has always been a global franchise,” says Anderson. “I don’t mean just in the way it’s shot, but also in the locations. In the first movie, it was the claustrophobia of the Hive; in the second, the nighttime streets of Raccoon City. The third movie moved to the desert and the fourth movie had post-apocalyptic Los Angeles burning to a crisp. This time we’ve made what is effectively a road movie, because we go from one country to another to another in a novel way.”

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Resident Evil: Retribution also contains some of the biggest visual effects ever created by Toronto-based Mr. X, according to the film’s special effects supervisor, Dennis Berardi. “We’ve got creatures the size of dinosaurs,” Berardi says. “We’ve got a rockin’ car chase with a Rolls Royce that basically gets destroyed. We’ve got tidal waves running through Red Square and taking out New York. Every scene, every sequence we made, we were looking for opportunities to take it to the next level. It’s epic stuff.”

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The fight sequences in Resident Evil: Retribution are by far the biggest in the history of the franchise. Jovovich and the rest of the cast spent long hours training in order to meet the physical demands of the film. The intricately choreographed fight sequences meant that everyone had to be at the top of their game, according to Powell, who employed a number of styles of martial arts as well as kick-boxing and wire work. “It takes many hours of practice to learn the movements,” he explains. “Nothing should look rehearsed. All the movements should be controlled with a smooth and continuous rhythm.”

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