“She looks like that dead girl. How sick are you? You’re going to end up like Lee, you will. But I will not.” — Kay Lake
A challenge with The Black Dahlia was in finding a group of actors who could flesh out a modern film noir—and give nods to the Humphrey Bogart-Lauren Bacall and Fred MacMurray-Rita Hayworth thrillers of the ’40s and ’50s—without becoming caricatures of the very roles that inspired their performances. De Palma and the producers would turn to five young-yet-established actors and a collective of seasoned performers who could play the assortment of toughs, lovers and deceivers from Friedman’s screenplay and Ellroy’s mind.
De Palma admits of working with certain talent, simply, “Great actors will create something that will completely surprise you.”
Long involved with Dahlia’s production was Josh Hartnett, cast as Bucky Bleichert, whose world begins to spin out of control the minute he becomes attached to the case. De Palma felt that the actor could easily reflect Bucky’s inherent good intentions found in the script. “Even in this corrupt world, there’s such a decency about Bucky,” he observes. “Like in the old noir movies in which Bogart played, he has this moral weight.”
“Josh is becoming a man,” offers Linson. “To see him grow up from the young kid in Virgin Suicides to becoming this detective with a very complex life—in love with two women and haunted by a murder—is fantastic.”
Hartnett was attracted to the challenging role because it wasn’t a “morality tale after all. The characters have certain flaws that they’ll follow to the end, and no one deviates from those.”
Friedman’s rat-a-tat period dialogue wouldn’t be the only challenge for Hartnett. The physicality of the part would require the actor to train for four hours a day for seven months to play seasoned boxer Bucky (known in the ring as Mr. Ice), who happened to have a light-heavyweight record of 36-0-0.
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