The Agony and the Ecstasy opens in documentary style, chronicling the work of Michelangelo Buonarroti. It then follows Michelangelo, a renowned sculptor of the Republic of Florence in the early 16th century, and shows him at work on large-scale sculptures near St. Peter’s Basilica. When Pope Julius II commissions him to paint the Sistine Chapel, Michelangelo resists because he finds the ceiling’s paneled layout of the Twelve Apostles uninspiring. Nonetheless, he is forced into taking the job. During the initial attempt, Michelangelo is discontented with the results, and destroys the frescoes. He flees to Carrara, and then into the mountains where he finds inspiration from nature.
Michelangelo returns and is allowed to paint the entire vault in a variety of newly designed biblical scenes. The work proceeds nonstop, even with Mass in session, as months turn to years. Michelangelo’s work is threatened when he collapses due to fatigue. He is nursed back to health by Contessina de’ Medici, daughter of his old friend Lorenzo de’ Medici. After recovering, Michelangelo returns to work after learning he is at risk of being replaced by Raphael.
Meanwhile, the Papal States are threatened during the War of the League of Cambrai. Preparing for battle and having reached the limits of his patience, the Pope terminates Michelangelo’s contract. Raphael, impressed with the work in progress, asks Michelangelo to show humility and finish the ceiling. Michelangelo travels to see the injured and weakened Pope, and pleads for him to restore the patronage. Though the Pope believes an invasion of Rome is inevitable, he raises the money needed to resume work on the ceiling.
One night, Michelangelo finds the ailing Pope inspecting the portrait of God in The Creation of Adam, which the Pope declares “a proof of faith”. He then collapses and becomes bedridden. Though everyone assumes that the Pope will die, Michelangelo goads him into having the will to live and to finish his work. The tide of war turns in favor of the Papal States, as allies pledge to assist the Pope.
The Agony and the Ecstasy is a 1965 American film directed by Carol Reed and starring Charlton Heston as Michelangelo and Rex Harrison as Pope Julius II. The film was partly based on Irving Stone’s 1961 biographical novel The Agony and the Ecstasy. This film deals with the conflicts of Michelangelo and Pope Julius II during the painting of the Sistine Chapel ceiling.
It also features a soundtrack co-written by prolific composers Alex North and Jerry Goldsmith. The film was shot in Todd-AO and Cinemascope versions. The Todd-AO version was used for the DVD release because of its superior picture quality.
About the Production
Film rights to the novel were bought by 20th Century Fox for a reported $125,000. The head of the studio was Peter Levathes and Burt Lancaster was linked to the film.
In 1962, Fox almost collapsed due to cost over-runs on a number of films, notably Cleopatra. This resulted in Darryl F. Zanuck returning to run the studio. He installed his son Richard D. Zanuck as head of production.
In January 1963, Richard Zanuck signed Philip Dunne to write the script. In October 1963 Zanuck announced the film would be one of six “roadshow” movies the company would make over the next 12 months, worth $42 million all up. The others would be The Day Custer Fell, Those Magnificent Men in Their Flying Machines, Justine, The Sound of Music and The Sand Pebbles.
In November 1963 Charlton Heston signed to play the lead.[8] Fox wanted Rex Harrison to co star and he wanted Fred Zinnemann to direct. By January Carol Reed was set to direct and Rex Harrison to co star. The film’s production schedule ran from June 1964 to September 1964. When it came time to film the feature, the Sistine Chapel could not be used, and it was recreated on a sound stage at Cinecittà Studios in Rome, Italy. During the production, Rex Harrison and Charlton Heston did not get along. Twelve years later, while filming The Prince and the Pauper, Harrison completely avoided Heston.
According to his diary, Heston was interested in playing Michelangelo before any studios decided to produce the film. Once cast in the part, he was excited to act under Reed, who had directed The Third Man (1949). Heston felt that this would be the film to resurrect Reed’s directorial reputation, describing it as having the best audience-preview responses than any film he had ever seen. However, it only did modest business at the box office.
The Agony and the Ecstasy (1965)
Directed by: Carol Reed
Starring: Charlton Heston, Rex Harrison, Diane Cilento, Harry Andrews, Alberto Lupo, Adolfo Celi, Venantino Venantini, John Stacy, Fausto Tozzi, Maxine Audley. Tomas Milian
Screenplay by: Philip Dunne
Production Design by: Giorgio Zambon
Cinematography by: Leon Shamroy
Film Editing by: Samuel E. Beetley
Costume Design by: Vittorio Nino Novarese
Set Decoration by: Dario Simoni
Art Direction by: Jack Martin Smith
Music by: Jerry Goldsmith, Alex North
MPAA Rating: Roreb
Distributed by: 20th Century Fox
Release Date: October 7, 1965
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