It Must Be Heaven: An alternative description of hell

It Must Be Heaven: An alternative description of hell

Elia Suleiman is undoubtedly the first name that comes to mind when talking about cinema in Palestine, which is experiencing one of the longest occupations in the history of the wide geography we are in. The Palestinian director, who has been interpreting the ugly war in his homeland with his own style since his first feature film, Chronicle of a Disappearance, focuses on the same place and this time as in Yadon İlahheyya (Holy Resistance / 2002). comes up with the allegorical narration he embellishes with comedy elements.

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Wong Kar-Wai: The filmmaker who tells us about ourselves

Wong Kar-Wai: The filmmaker who tells us about ourselves

Far Eastern cinema has always had a theme that touches the human spirit in its category. It is in a category that cannot be compared with a classic Hollywood movie, whether with action movies, romantic movies or dramas. While some films push us to deep thoughts, some have the power to question for days. After watching the Oldboy movie, I remember that I could not easily come to myself. The films of Wong Kar-Wai may not be making his audience look that much, but in the journey of emotion he has established, it is certain that one questioned himself.

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Michelangelo Antonioni: Pessimistic Auteur of Italian Cinema

Michelangelo Antonioni: Pessimistic Auteur of Italian Cinema

Michelangelo Antonioni, one of the most important directors that Italy has raised after the Second World War, has gained a special place in the world cinema with his pessimistic stories that deal with human relations that have become his exclusive cinema language and signature. Let’s take a look at the general features of Antonioni Cinema, which inspired many filmmakers who came after him.

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Good Bye Lenin: Let's negate the warm side of socialism through humor

Good Bye Lenin: Let’s negate the warm side of socialism through humor

Describing a political theme with a no-boring story, Good Bye Lenin is a film that grasps the audience with its warmth. Developing on the axis of an idealist mother and a romantic son, the film conveys to us the sadness distilled with humor that the progress of capitalism from the west of Germany by breaking the walls. An active socialist, the mother is in a coma for eight months as a result of a heart attack.

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