Category: Box Office Reports
Chinese audiences powered “X-Men: Apocalypse” to the top of the foreign box office charts over the weekend.
The mutant adventure picked up $59 million from the People’s Republic, becoming the second-highest opening in China for Fox, the studio behind the superhero franchise. The latest “X-Men” earned a leading $84.4 million overseas from 66 markets including South Korea ($4.5 million), Brazil ($2.2 million) and the United Kingdom ($2 million). So far, “X-Men: Apocalypse” has earned $402.5 million globally.
In second place, “Teenage Mutant Ninja Turtles: Out of the Shadows” picked up $34 million overseas from 40 foreign markets. The sequel disappointed in its domestic debut, opening to $35.3 million, a more than 40% drop from the first film’s $65.6 million launch in 2014. Paramount, the studio behind the $135 million film, hopes that the film can make up ground overseas. China, where the first “Ninja Turtles” earned $62.1 million, will be a critical test. “Out of the Shadows” opens in the country on July 2.
“Warcraft,” an adaptation of the hit video game series, is facing fierce headwinds as it braces for its domestic debut next weekend. Tracking has been soft, and it will have to hold off competitors such as “Now You See Me 2” and “The Conjuring 2.” Still, the fantasy adventure has done respectable business overseas. It earned $29.9 million from 28 territories last weekend to take fourth place on the charts.
The results bring “Warcraft’s” total to $70 million after two weeks of release. The film opened in first place in Spain with $2.5 million, debuted to $2 million in Italy, enjoyed a $3.8 million second weekend in Russia, and topped charts in Germany for a second weekend with $3.1 million. The Universal and Legendary release still represents a big gamble. It carries a $160 million price tag and is on pace to open to less than $25 million in the U.S.
Disney’s “Alice Through the Looking Glass” and Sony’s “The Angry Birds Movie” snagged third and fifth place on the foreign box office charts, earning $30.9 million and $16.7 million, respectively. The big screen adaptation of the “Angry Birds” game has done solid business, earning $283.5 million worldwide. Not so “Through the Looking Glass.” The “Alice in Wonderland” sequel is shaping up to be one of the year’s biggest bombs. It has earned $176.3 million worldwide, but will have to fight its way into the black given its $170 million price tag and the tens of millions spent to market and distribute the film.
The first weekend in June 2016 played out mostly as expected, with Teenage Mutant Ninja Turtles: Out of the Shadows taking the #1 spot followed by last weekend’s first place finisher, X-Men: Apocalypse. Warner’s Me Before You, however, did manage to break out well above expectations while Universal’s Popstar: Never Stop Never Stopping may have received great reviews, but couldn’t find much of an audience. Overall, the weekend was a wash compared to last year with estimates for the top twelve coming in just $56,118 higher than last year’s actuals, but there are still some highlights to discuss despite something of a slow start to a sequel driven June.
Paramount’s Ninja Turtles 2 brought in an estimated $35.25 million, which, as discussed in our weekend preview, puts the film pretty much right on the average for so many of today’s sequels based on the original film’s performance. In the case of Ninja Turtles, this is a 46% drop from the 2014 film’s $65.5 million opening. Considering the $135 million budget for Turtles 2 is $10 million more than was spent on the original, that’s not exactly what the studio was hoping for when they flipped the green light.
The sequel is now looking to bring in $90 million or so domestically, which is around $100 million less than the original. Of course, box office grosses are just half the story with a film like this as ancillary merchandise is a big revenue driver for a film of this sort. From a demographics perspective, the film did score an “A-” CinemaScore and audience members under the age of 18 made up 40% of the audience and scored the film with an “A”. In all, 52% of the audience was under 25 and 54% male vs. 48% female.
In addition to its domestic total, Ninja Turtles 2 also opened in 40 international markets and earned an estimated $34 million. The UK delivered the highest returns with an estimated $5.3 million followed by Russia ($4.8m), Mexico ($4.5m), Indonesia ($2.3m) and Malaysia ($2.2m). The movie will continue to expand throughout the month and will release in China on July 2 where the first film brought in over $62 million.
Ten years after first being announced, Universal-Legendary’s high-priced fantasy film “Warcraft” is generating only moderate interest among U.S. moviegoers.
Early tracking before the June 10 opening indicates that domestic performance for “Warcraft” may be held back by underwhelming reviews with projections for a moderate $25 million opening weekend — a downbeat result given its $160 million budget. Should that estimate hold, “Warcraft” will likely be heading for a third or fourth-place finish behind openings of New Line’s “The Conjuring 2” and Lionsgate’s “Now You See Me 2” along with the second weekend of Paramount’s “Teenage Mutant Ninja Turtles: Out of the Shadows.”
“The Conjuring 2” is looking to be the big winner of the trio with an opening weekend of $40 million-plus while “Now You See Me 2,” which Lionsgate expects to open strong, should finish in the $25 million to $28 million range.
Prospects on the domestic side may be iffy for “Warcraft,” given a harsh response so far from reviewers with a 38% rating on Rotten Tomatoes. Variety’s Geoff Berkshire called the film “pricey and preposterous.”
Based on Blizzard Entertainment’s multi-player fantasy game, the videogame adaptation began its international launch Wednesday, opening in France, Indonesia and the Philippines. This weekend it bows in Germany, Russia and Scandinavia, followed by most of the rest of Europe next weekend and China on June 8.
With extensive use of CGI to portray mythical creatures and magical realms, the film’s lofty budget will require solid worldwide performance to push “Warcraft” into the black — particularly on the international side, where it’s expected to deliver stronger results than in the U.S. Universal has indicated that North America is viewed as being a spoke in a larger wheel rather than the driving force for the film.
“Warcraft,” directed by Duncan Jones, is the first major release from Legendary Entertainment since it was acquired by China powerhouse Dalian Wanda in January for $3.5 billion.
Legendary produced such blockbusters as “Jurassic World,” “Pacific Rim” and “Godzilla.” It also partnered with distributor Universal Pictures on last year’s hit “Straight Outta Compton” before misfiring on “Steve Jobs” and “Crimson Peak.”
What superhero fatigue? Disney and Marvel’s “Captain America: Civil War,” the 13th film in the Marvel Cinematic Universe, has strong-armed its way to becoming the fifth-highest domestic opening ever according to comScore estimates Sunday.
The film grossed a massive $181.8 million this weekend, bumping “Iron Man 3” out of the top five all time debuts. “Civil War” now ranks right below “Marvel’s The Avengers” and “Avengers: Age of Ultron,” which hold the third and fourth place spots.
It’s nearly double the opening of the previous “Captain America” film, “The Winter Soldier,” which opened to $95 million in April 2014, but that is at least partially attributable to the fact that “Civil War” is basically an Avengers movie in disguise.
Directed by Joe and Anthony Russo, “Civil War” sees an ideological showdown between Iron Man (Robert Downey Jr.) and Captain America (Chris Evans) and is packed to the brim with Avengers old and new. It’s been very well-received by critics and, now, audiences, who gave the film a promising “A” CinemaScore, which should bode well for the film’s longevity. Audiences were 59 percent male and mostly adults. Teens made up only 11 percent of the audience.
After a $75 million first day, the opening was right in line with expectations, and according to comScore senior media analyst Paul Dergarabedian, is well on its way to becoming a $1 billion movie.
“We’ve become so accustomed to these massive numbers, now we’re putting up single day numbers that would be very noteworthy opening weekends on their own,” Dergarabedian said.
“Civil War” cost a hefty $250 million to produce but has already far-surpassed that thanks to a healthy international debut last weekend and a big bump from China this weekend. In sum, the superhero showdown has earned $678.4 million globally to date.
Great reviews and word of mouth will surely distinguish “Civil War” from “Batman v. Superman: Dawn of Justice,” which, by comparison, opened to $166 million in late March but fell sharply over the subsequent weekends. That film has earned $327.3 domestically million to date and this weekend placed 10th with $1 million.
US Two-day Ticket Sales to Sunday from Friday
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
- “Captain America: Civil War,” $181.8 million ($220 million international).
2.”The Jungle Book,” $21.9 million ($24.1 million international).
3.”Mother’s Day,” 9 million ($3 million international).
4.”The Huntsman: Winter’s War,” $3.6 million ($4.2 million international).
5.”Keanu,” $3.1 million.
6.”Barbershop: The Next Cut,” $2.7 million.
7.”Zootopia,” $2.7 million ($5.7 million international).
8.”The Boss,” $1.7 million ($510,000 international).
9.”Ratchet and Clank,” $1.5 million ($500,000 international).
10.”Batman v Superman: Dawn of Justice,” $1 million.
“Captain America: Civil War” dominated the foreign box office, debuting to a massive $200.2 million in its first weekend of overseas release, and kicking off the summer movie season on a high note.
The Disney and Marvel superhero adventure is performing less like a sequel to the star-spangled hero’s films and more like another installment in the “Avengers” franchise. It opens domestically on May 6, when it is expected to make nearly $200 million.
Disney distribution chief Dave Hollis hailed the Marvel films as a model of commercial consistency in a business that is notoriously unpredictable.
“They have found a way to keep the films unbelievably fresh and the reception to this leading into its opening suggests that they’ve delivered arguably one of the best films to come out of the studio,” he said. “We expect a lot of repeat business.”
Beyond branding, there are several reasons “Captain America: Civil War” is off to such a hot start. The film promises the spectacle of watching Captain America (Chris Evans) square off against Iron Man (Robert Downey Jr.), in an intra-Avengers duel. It also introduces Tom Holland’s take on Spider-Man and marks the first appearance of Chadwick Boseman as the Black Panther, two characters that are fanboy and fangirl favorites.
Then there are the reviews. Critics have embraced the movie, handing it some of the best notices of the year. Joe and Anthony Russo, who previously oversaw “Captain America: The Winter Soldier,” handled directing duties.
Its gargantuan foreign debut comes from 37 major territories representing approximately 63% of the international marketplace. The film played well in premium formats, with Imax responsible for $9.6 million of the foreign box office haul. The opening is only 5% behind “Avengers: Age of Ultron,” and is outpacing “Iron Man 3” and “The Avengers” by 26%.
Among the most significant contributors were Korea with $28.9 million, Mexico with $20.6 million, the United Kingdom with $20.5 million, Brazil with $12.3 million and Australia with $10.9 million. The Brazil and Mexico openings set a new industry high, as did the film’s $7.5 million kick-off in the Philippines.
In addition to North America, next weekend will also see “Captain America: Civil War” debuting in China, Russia, Italy and Argentina. Its success continues a torrid streak for Disney, which has minted money this year with “Zootopia” and “The Jungle Book,” both of which have a realistic shot of generating nearly $1 billion globally. The studio also seems likely to score with “Finding Dory,” the follow-up to Pixar’s “Finding Nemo,” and “Star Wars: Rogue One.”
“All the box office is about is Disney, Disney, Disney,” said Jeff Bock, an analyst with Exhibitor Relations.
Disney-Marvel’s “Captain America: Civil War” soared to $14.9 million in 15 international markets in Europe and Asia, finishing first in each.
Disney reported that the Wednesday opening is just behind last year’s “Avengers: Age of Ultron,” which wound up being Marvel’s highest international performer with $946 million.
South Korea led the way with $4.3 million, followed by France with $2.4 million, Philippies with $1.5 million, Taiwan with $1.4 million, and Thailand and Hong Kong with $1.1 million each.
The Korean launch was the third-largest opening day of all time and took 91% of the market. Its number trailed “Avengers: Age of Ultron” by 5%.
The French launch was the biggest opening day of the year and 16% behind “Avengers: Age of Ultron.” The Philippines debut was also the third largest opening day of all time and only 4% behind “Ultron.”
“Captain America: Civil War” will be open in 63% of the international marketplace by Sunday. Thursday sees openings in Germany, Australia and Brazil, along with Austria, Denmark, Netherlands, Portugal, Malaysia, Singapore, Panama, Peru, Bolivia, Chile and Colombia.
Pre-release tracking estimates suggest that the superhero sequel could rack up roughly $200 million overseas after its first five days in theaters.
An opening of that size would put it in line with the foreign launches of “Avengers: Age of Ultron” ($212 million) and “Iron Man 3” ($160 million). It dwarfs the last film featuring the star-spangled hero, 2014’s “Captain America: The Winter Soldier,” which opened to $78 million overseas.
The tentpole includes Robert Downey Jr.’s Iron Man and Chris Evans’ title character while introducing Chadwick Boseman’s Black Panther and Tom Holland’s Spider-Man. The “Winter Soldier” directorial team of Joe and Anthony Russo returns to helm.
“Captain America: Civil War” hits theaters stateside on May 6, with some analysts estimating it could score a $200 million launch.
“Captain America: Civil War” is gearing up for gearing up for global domination.
Pre-release tracking for foreign debuts can be spotty, but estimates suggest that the superhero sequel could rack up roughly $200 million overseas after its first five days in theaters. The film will have opened in roughly 63% of the foreign marketplace by Sunday, including such major territories as France, Korea, Brazil, Australia, Mexico, Japan, the Philippines and the U.K. It starts rolling out on Wednesday.
An opening of that size would put it in line with the foreign launches of “Avengers: Age of Ultron” ($212 million) and “Iron Man 3” ($160 million). It dwarfs the last film featuring the star-spangled hero, 2014’s “Captain America: The Winter Soldier,” which opened to $78 million overseas. However, this “Captain America” plays more like an “Avengers” film, broadening its appeal with foreign audiences, who might find the title character jingoistic.
It features Robert Downey Jr.’s Iron Man and introduces Chadwick Boseman’s Black Panther, as well as previews Tom Holland’s new spin on Spider-Man. Chris Evans returns as the title character with the “Winter Soldier” directorial team of Joe and Anthony Russo sliding back behind the camera. The film finds the heroes split into factions over a government plan to register those with superpowers. Captain America heads up one team opposed to the initiative, while Iron Man commandeers another that is supportive of the bureaucratic oversight.
“Captain America: Civil War” hits theaters stateside on May 6, with some analysts estimating it could score a $200 million launch. Tracking suggests it should have no trouble hitting $175 million, making it one of the five biggest openings in history. It will also open in China, Russia, Italy and India in that time frame, which should boost revenues.
Reviews for the film have been sterling, and it currently enjoys a 97% “fresh” rating on Rotten Tomatoes, making it one of the best critically received Marvel Studios releases ever. Disney, Marvel’s parent company, is off to a torrid start at the box office. This year it has already fielded “Zootopia” and “The Jungle Book,” two films that have a chance at hitting $1 billion in receipts.
Zack Snyder’s Batman v Superman: Dawn of Justice plunged an estimated 68 percent in its second weekend — one of the biggest drops in history for a superhero title — even as it easily stayed No. 1. The Warner Bros. title earned $52.4 million from 4,256 theaters, less than anticipated, for a domestic total of $261.5 million. Final weekend numbers will be tallied Monday.
Heading into the weekend, some analysts thought BvS would pull in north of $60 million, considering it had little competition (no new major studio titles opened nationwide). Warners and Snyder have plenty riding on BvS, which launches the DC cinematic universe, including two Justice League movies — the first of which Snyder is presently shooting — and this summer’s Suicide Squad.
Related: ‘Superman,’ The Inside Story: Director Richard Donner Remembers Meeting Stallone to Play the Lead, Working With Brando, and a Near-Fatal Knife Attack
BvS is also seeing big drops in some key international markets. Overall, its Friday haul of $19.2 million from 67 markets was down 72 percent from Friday a week ago. The tentpole’s decline in China was a hefty 87 percent, and 77 percent in the U.K.
Dismal reviews and a B CinemaScore are no doubt catching up with the superhero smackdown, which teams Batman (Ben Affleck) and Superman (Henry Cavill) on the big screen for the first time.
As a way of comparison, Avengers: Age of Ultron fell 59 percent in its second weekend and The Dark Knight, 53 percent. The only major studio superhero movie to see a decline approaching 70 percent was X-Men Origins: The Wolverine, which fell 69 percent in its second outing. And recent superhero entry Deadpool feel 57 percent to $56.4 million, while Snyder’s Man of Steel dipped 65 percent.
Some industry observers suggest a decline of 70 percent is acceptable. They note that blockbuster Harry Potter and the Deathly Hallows — Part 2 actually tumbled 72 percent in its second weekend, while The Twilight Saga: The New Moon slipped 70 percent. Both movies were fan-driven and hence front-loaded. Nor were they weren’t considered four-quadrant movies.
This Labor Day weekend, Guardians of the Galaxy leads the box office and makes a record amount of money.
Topping the charts this Labor Day weekend, Guardians of the Galaxy not only outperformed at the box office, but it became the highest-grossing film this year with US total sales estimated at $247.6 million.
Only in theaters for a month now, the Marvel film pulled in $16 million on what was expected to be slow holiday box office. As the top performing movie of the year, the budget was $170 million in comparison to the over $270 million that it ranked in. It seems like people can’t get enough of this superhero film with Chris Pratt.
Bringing competition to the Marvel film, Teenage Mutant Ninja Turtles remain in second place with an estimated weekend domestic total of almost $12 million. So far the Ninja Turtles have brought in a total of about $162.5 million, making it come in over the budget of $125 million.
In third place, If I Stay brought in an estimated $9.2 million this weekend. After its first weekend at $16 million, Chloe Grace Moretz is drawing in the audience with her role as a young girl who has an out-of-body experience after a car accident leaves her in a coma.
A new movie, As Above/So Below, debuted at fourth place with around $8.2 million this weekend. The thriller is about a team of explorers that venture into the catacombs that lie beneath the streets of Paris. Haunted by visions and creatures, they must fight to survive.
Let’s Be Cops is still making the top five this weekend. Dropping to fifth place from fourth last week, the comedy with Jake Johnson and Damon Wayans Jr. as a fake police duo earned around $8.2 million this weekend. In its 3 weeks, the film has grossed $57 million domestically.
Here are the remaining films that made this weekend’s top 10.
6. The November Man, a new release, at $7.6 million
7. When The Game Stands Tall at $5.6 million
8. The Giver at $5.2 million
9. The Hundred Foot Journey at $4.6 milliochris
10. The Expendables 3 at $3.5 million
“The Hunger Games: Catching Fire” and 3-D animated musical “Frozen” dished up box office records over the Thanksgiving holiday. Lionsgate’s sequel earned a prodigious $75 million in its second weekend, while Disney’s frosty fete opened with $67 million, according to studio estimates Sunday.
Both films bested the previous Thanksgiving record holder, “Harry Potter and the Sorcerer’s Stone,” which earned $57.5 million in 2001 over a three-day period.
Snowballing its way to the top, “Frozen” became the biggest Thanksgiving opening ever and the largest opening for Walt Disney Animation Studios.
“For a company whose foundation was built on animation, to have this as the biggest opening ever is a pretty extraordinary thing,” said Dave Hollis, executive vice president of distribution at Walt Disney Studios, adding that the box office draw of “Frozen” exceeded studio expectations.
“We came into the weekend feeling like anything that would exceed the result from ‘Tangled’ from a couple years back would be great,” Hollis added. “Tangled” opened with $68.7 million in 2010. “We thought something in the $70-$80 million range is what might be possible with ‘Frozen.’ We are hoping it lends itself to a big, long payoff after this great start.”
The films topped records for the highest domestic box office grosses for the three-day and five-day holiday weekend. “Catching Fire” blazed the trail to No. 1 and “Frozen” slid in at No. 2.
“Catching Fire” earned the biggest-ever gross for a film from Wednesday to Sunday over the Thanksgiving holiday. It brought in $110.2 million, raising its domestic total to $297 million. “Frozen” scored $93 million over the five days, topping Disney’s previous five-day champ, “Toy Story 2,” which earned $80.1 million in 1999.
“All of these records being broken, it’s like a true snowball effect,” said Paul Dergarabedian, senior media analyst for box-office tracker Rentrak. “Overall, this is the biggest Thanksgiving weekend for the industry ever. Last year was the Thanksgiving record holder, but this one-two punch with ‘Catching Fire’ and ‘Frozen’ was just amazing.”
Internationally, “Catching Fire” continued to bring the heat, earning a total of $276 million through Sunday. Opening No. 1 in France, Italy and Belgium, the sequel exceeded the opening weekend of “The Hunger Games” in all three markets. Overall, the sequel has grossed $573 million worldwide.
After dominating the box office during its first two weeks in theaters, Disney’s “Thor: The Dark World” dropped to No. 2 last weekend and was knocked down one more spot to No. 3 this weekend, earning $11.1 million. Globally, it continues to keep Disney on the map with a total of $591.1 million.
Maintaining a healthy position at the box office, Universal’s romantic comedy “The Best Man Holiday” held the fourth slot with $8.5 million, while thriller “Homefront,” starring Jason Statham and James Franco, opened in the No. 5 slot with $7 million.
Also debuting over the holiday, Fox Searchlight’s “Black Nativity” landed in the top 10 with $3.9 million, while the Weinstein Co.’s “Mandela: Long Walk to Freedom,” starring Idris Elba, saw a solid launch, earning $100,306 despite playing in just four theaters.
Opening with $850,000, Spike Lee’s “Oldboy” failed to make an impressive impact at the box office.