Tim Burton’s Big Eyes, tells the story of Margaret Keane, who is popular in 1960s America with her portrayal works of children with pure talent and big eyes, and his rogue painter husband Walter. He directs Keane’s true story as plain as he can. Amy Adams and Christoph Waltz play the leading role.
Tim Burton, who told fantastic stories throughout his film adventure, had so far brought a real character to the screen only in Ed Wood. But Ed Wood himself was as fantastic as he was (perhaps the most fantastic director in American film history). Burton listens to a real character again in Göz Big Eyes olan, which will be in our halls from this week on, and again, they are part of a story that is as fantastic as it can get in ordinary life.
The film begins in the 1950s. Margaret, a self-employed housewife, is looking for a new future in San Francisco with her little daughter after separation from her husband. The young woman, who is talented in painting and draws portraits of children with sahip big eyes sürekli, understands that even if she wants to earn a living in this way, she will not be able to reach a place soon with small amounts of sales.
In a sense, his meeting with landscape painter Walter Keane changes his destiny: when he says life and art friendship, Walter’s commercial intelligence and Margaret’s paintings become one of the country’s most important visual expressions. Equality in this equation, however, is constantly deteriorating at the expense of a female painter who believes that a man can exist under his wings.
‘The Big Eyes belki is perhaps the most straightforward work of Burton’s filmography, but it still fades away and makes us common to the drama and impasse of his main character. The film tells the story of a value like Margaret Keane, who is devoid of intellectual equipment, continues her way with pure talent and kl reflects her emotions to her art.
When it comes to performances, Amy Adams, the rising figure of the last period, depicts Margaret Keane very well! Or The character’s innocence, introversion, and ‘overwhelming’ patience reflect very well. Christoph Waltz is also very successful in ‘dishonest attraction’. But in this film, of course, Terence Stamp is the one who conquered me and the hearts of his colleagues.
‘British great master rol leaves a short, concise and deep track as the picture critic John Canaday. From this point of view, we often come across ‘critic typing de in the films we have come across recently. Known as ‘Birdman, Tab we met Tabitha Dickinson, the female theater critic of The New York Times, who ate the flesh of the main character, Riggan, and this time we are cheered with Canaday, the art critic of the same newspaper.
What if you call it film critics? Var there is a whole film for the answer: Life Itself’. As will be remembered, in this documentary we watched the life story of ’deceased’ Roger Ebert. Let us close this chapter with the words John Canaday used for a work he did not like in Big Eyes: neden Why do societies need critics? To avoid such persecution.
Big Eyes (2014)
Directed by: Tim Burton
Starring: Amy Adams, Christoph Waltz, Danny Huston, Jon Polito, Krysten Ritter, Jason Schwartzman, Terence Stamp, Madeleine Arthur
Screenplay by: Scott Alexander, Larry Karaszewski
Production Design by: Rick Heinrichs
Cinematography by: Bruno Delbonnel
Film Editing by: JC Bond
Costume Design by: Colleen Atwood
Set Decoration by: Craig Lewis
Music by: Danny Elfman
MPAA Rating: PG-13 for thematic elements and brief strong language.
Studio: The Weinstein Company
Release Date: December 25, 2014
Views: 744
